The ghost of Charlotte Cray, and other storiesMarryat, Florence
Science
The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
Being pent-up in a railway carriage with half-a-dozen manikins and
womanikins, who suck oranges half the time, and obtrude their little
persons between your view and the window the other half, is not
perhaps the most favourable situation from which to contemplate the
beauties of nature; for which reason, perhaps, it is as well that for
the first part of our journey nature presents no beauties for our
contemplation, and thereby our naturally mild tempers are prevented
from boiling over. But when we have accomplished about fifty miles
(Rochefort being distant from Brussels seventy miles) the country
begins to assume a different and far more engaging aspect. The flat
table-land, much of it marshy and undrained, which has scarcely been
varied hitherto, gives place to swelling hills, half rock, half
heather, and charming copses of fir, some of which are very extensive.
The scenery becomes altogether more wooded and naturally
fertile-looking; and houses and farmsteads lose all trace of British
contiguity, and become proportionately interesting to curious English
eyes. The train is an express, and as it dashes past the fragile,
roughly-built little stations with which the road is bordered, it is
amusing, or rather I should say it would be amusing, did it not
suggest the idea of accidents, to see the signal-flags displayed by
peasant-women in every variety of attitude and costume.
Here stands a stolid, solid Belgian girl, of eighteen years of age
probably, and stout enough for forty, with a waist like a tar-barrel,
and legs to match, who nurses her flag as if it were a baby, and gazes
at the flying train with a countenance which could not be more
impassive were it carved in wood. We have hardly finished laughing at
her, when the train rushes past another station, at which appears a
withered old crone, her head tied up in a coloured handkerchief, and
her petticoats, cut up to her knees, looking cruelly short for such a
wintry day, and displaying a pair of attenuated legs and feet for
which the huge wooden _sabots_ look miles too large. She waves about
the signal-flag in a nervous, agitated manner, which suggests the idea
that she is not quite sure whether she has caught up the right one or
not; but before we have time to be made uncomfortable by the fact, we
are passing another of these Belgic “shanties,” at the door of which
appears for a moment a middle-aged woman, who waves the signal at us
in a menacing manner, and rushes back immediately to her children or
her cooking.
Public-domain text, read in full here on John Shaqi.
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