The ghost of Charlotte Cray, and other storiesMarryat, Florence
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The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
Toiling up the street again, and examining the shops as we go, I say
that, much as I like Rochefort, I do not advise any one to come here
in order to purchase their wedding _trousseau_, or lay in a stock of
winter clothing. We look in vain for something to buy in remembrance
of the place; but can see nothing out of the way, except it is a
yellow teapot, holding at the least four quarts, and with a curled
spout to prevent the tea coming out too fast, which must be almost
necessary with such a load of liquid. The teapot is delicious, and
quite unique; but scarcely worth, we think, the trouble of
transportation. We have but just decided this matter to our
satisfaction when we come upon a “miscellaneous warehouse,” upon whose
front is painted “_Cartes pour les grottes de Rochefort_,” and
remember that we must see the famous grotto, and turn in to ask the
price of admission. Five francs a-head; children half-price. We think
the charge is high; but Monsieur C-- (to whom the grotto belongs)
takes us into his house and shows us prints of the different views of
its interior, which fire our imagination to that degree, that we
decide at once to see it the next morning. We look over a book also in
which visitors to the grotto have written down their first
impressions; and these testimonials excite our curiosity still
further. A Persian describes himself as having been suddenly
transported into fairyland; and can liken the vast caverns to nothing
but the palace of his great master the Sultan, and the various forms
assumed by the stalactites to those of lovely houris grouped about
him. A French poet, in rapturous verse, compares the grotto to the
enchanted halls of the Arabian Nights, and the stalactites to “frozen
tears.” Every traveller declares the sight to have been more wonderful
and beautiful than anything he has ever seen before, until we become
quite sorry to think we must put off seeing it until the morning; and
our expectations are heightened by the rapid assurance of Monsieur C--
(who always keeps his hands moving, and never stops to consider his
commas), that it is “_trèsbeautrèsbeautrèsbeau!_” However, we agree
to return the next day at eleven o’clock, when he promises the guides
shall be in readiness for us; and we go home to another excellent
dinner, the pleasure of which is only marred by the fact that
Thérèse _will_ make us use the same knives and forks for every
course; and we haven’t the strength of mind to resist.
Public-domain text, read in full here on John Shaqi.
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