The ghost of Charlotte Cray, and other storiesMarryat, Florence
Science
The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
I confess that as I go down the second time I feel a little nervous,
and my limbs shake. I don’t like this going down, down, down into the
shades of eternal night, with no companions but two little children.
But at last we stand on level ground again. There is no light anywhere
except from the guides’ lamps, the foremost one (who is always
spokesman) waves his above his head, and introduces _la grande salle_.
I look up and around me, but all is black as pitch. I feel that I am
standing on broken flints and a great deal of mud; and as the guide’s
lamp throws its faint gleam here and there, I see that the cavern we
stand in is very vast and damp, and uncommonly like a huge cellar; but
I can’t say I see anything more. In another minute the guide has
turned, and leads us through a passage cut in the rock. We are not
going up or downstairs now, but picking our way over slippery stones
and between places sometimes so narrow and sometimes so low, that our
shoulders get various bumps and bruises, and the guide’s warning of
“_Garde tête!_” sounds continuously. Every now and then we come upon
a larger excavation, which is called a _salle_, and given some name
consequent on the likeness assumed by the stalactites contained in it.
Thus one is called _salle de Brahma_, because it contains a large
stalactite, somewhat resembling the idol of that name. Another _salle
du sacrifice_, because its principal attraction is a large flat stone,
at the foot of which is another, shaped sausage-wise, and entitled
_tombeau de la victime_. We pace after the guides through these
cavernous passages for what appears to me miles, my mind meanwhile
being divided between fear that I should leave my boots behind me in
the slushy clay, or that either of my children should tumble down or
knock her head. Every cavern is like the other, and I look in vain for
stalactites which shall remind me of “houris grouped about the
sultan,” or “frozen tears.” The guides occasionally produce a fine
effect by burning a little red fire, or letting-off a rocket, or
climbing singly up the more perilous places, that we may watch the
gradual ascent of their flickering lamps, and judge of the height of
the larger _salles_. But I suppose the enthusiastic scribblers in the
visitors’ book would consider me the possessor of a very darkened
intellect if they heard me affirm that I have seen better effects on
the stage, and climbed greater heights with much more convenience.
Perhaps I have not a sufficiently appreciative soul for grottoes; but
the greater part of the grotto of Rochefort comes up exactly to my
idea of a mine, and nothing more.
Public-domain text, read in full here on John Shaqi.
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