The ghost of Charlotte Cray, and other storiesMarryat, Florence
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The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
We feel very heated when we stand on the breezy hill again, for the
grotto, contrary to our expectation, has proved exceedingly warm, and
the exercise has made us feel more so; and daylight looks so strange
that we can scarcely persuade ourselves we have not been passing the
night down below. We have picked up several little loose bits of stone
and stalactite during our progress, and when we reach home, we spread
them out before us on the table, and try to remember where they came
from. Here is a bit of marble, veined black-and-white; and here is
white stone, glistening and silvery. Here is the stalactite, a
veritable piece of “frozen tears” and _couchant houris_.
Well, we have been a little disappointed with the grottoes of
Rochefort, perhaps; we have not found the crystallisations quite so
purple-and-amber as we anticipated, or the foundations quite so clean;
but, after all, it is what we must expect in this life. If the grotto
is not so brilliant as we expected, it is at least a very wonderful
and uncommon sight; and so in this life, if we can but forget the
purple-and-gold, we may extract a great deal of amusement from very
small things, if we choose to try. With which bit of philosophy I
conclude.
A MIDSUMMER’S NIGHTMARE;
OR,
THE AMATEUR DETECTIVE.
I am an author. I am something worse than that--I am a Press writer.
I am worse than that still--I am a Press writer with a large wife and
a small family. And I am an Amateur Detective! I don’t mean, of
course, that I reckon the last item as part of my profession, but my
friends always come to me if they are in any difficulty, and set me to
do all kinds of queer jobs, from restoring and reconciling a truant
husband to his wife, to making the round of the “Homes for Lost Dogs”
in order to find Lady Softsawder’s pet poodle. Even Jones couldn’t
complete his great work, “The Cyclopædia of the Brain,” without
asking my assistance (for a consideration, of course) with his fifth
section, “The Origin of Dreams.” Jones is full of fire and
imagination, but he does not care for plodding, and he knew me of old
for a good steady compiler. I agreed with alacrity. “The Origin of
Dreams” would fill those hungry little mouths of mine for three months
at the very least. But how to do it whilst they gaped around me!--how
to cover the one table in my solitary sitting-room with valuable works
of reference at the risk of their being touched by greasy
fingers!--how to wade through volume after volume, placing a mental
mark there and a material one here, whilst my offspring either
surreptitiously removed the one or irretrievably obliterated
remembrance of the other, by attracting my attention to the manner in
which they attempted to scalp each other’s heads or gouge out each
other’s eyes! I tried it for a week in vain.
Public-domain text, read in full here on John Shaqi.
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