The walls near the western door of the Church of Consolation are hung with innumerable pictures, each bearing so strong a resemblance to the other, both in style and subject, that they might have been drawn by the same hand. As works of art they are valueless, for even the rules of perspective are ignored in a most comical manner, and with slight variations they all represent the same subject. On one hand is an invalid man, woman or child, as the case may be, and on the other a kneeling figure imploring aid for them of the “Virgin of Consolation,” who is also portrayed appearing to the suppliant, and encircled by a golden halo. Beneath the painting is inscribed the name of the patient, the nature of his disease, and the date of his recovery. At the back of the church is a large garden belonging to one of the richest proprietors in the neighbourhood of Utrera, and as the midday heat became more oppressive it was a favourite haunt of ours during the cool of the evening, when the air was laden with the perfume of orange blossoms and other sweet-smelling flowers. The owners of the garden permitted it to grow wild, but that circumstance only enhanced its beauty. The orange trees were laden with golden fruit, of which we were courteously invited to gather as much as we pleased. But our visits to this charming retreat were necessarily short, for, as in most southern latitudes, there was scarcely any twilight in Utrera, and it always seemed as though the ringing of the Angelus were a signal for the nights immediately to set in. But what glorious nights they were! The dingy oil-lamps in the streets (for gas is an innovation which had not yet found its way there) were little needed, as the sky always seemed to be one bright blaze of beautiful stars. The cemetery at Utrera is a quiet spot, surrounded by a high white wall and thickly planted with cypress trees, which give it a most solemn and melancholy appearance. They have the custom there (I am not sure it is not prevalent in other parts of Spain) of burying the dead in recesses in the walls, which are built expressly of an immense thickness; the coffins are shoved into these large pigeon-holes, and the opening is closed with a marble slab, which bears the inscription usual in such cases, somewhat after the fashion of open-air catacombs. But little respect seemed to be shown to the dead.