Fantasy fiction; Ghost stories; Horror tales; Manners and customs -- Fiction
For a minute he did not guess the greatness of the disaster. Then he
realised that the theatre was intensely quiet, and that he would have
to explain that the last item of his programme was even more of a
fiasco than the rest. Owing to a sudden indisposition--his skin
tingled at the thought of the hooting. His tongue rasped upon
cracking lips as he braced himself and bowed to the audience.
Then came the applause. Again and again it broke out from all over
the house, while the curtain rose and fell, and the conjurer stood on
the stage, mute, uncomprehending. What had happened? At first he had
thought they were mocking him, but it was impossible to misjudge the
nature of the applause. Besides, the stage-manager was allowing him
call after call, as if he were a star. When at length the curtain
remained down, and the orchestra struck up the opening bars of the
next song, he staggered off into the wings as if he were drunk. There
he met Mr. James Hennings himself.
"You'll do," said the great man; "that last trick was neat. You ought
to polish up the others though. I suppose you don't want to tell me
how you did it? Well, well, come in the morning and we'll fix up a
contract."
And so, without having said a word, the conjurer found himself
hustled off by the Vaudeville Napoleon. Mr. Hennings had something
more to say to his manager.
"Bit rum," he said. "Did you see it?"
"Queerest thing we've struck."
"How was it done do you think?"
"Can't imagine. There one minute on his arm, gone the next, no trap,
or curtain, or anything."
"Money in it, eh?"
"Biggest hit of the century, I should think."
"I'll go and fix up a contract and get him to sign it tonight. Get
on with it." And Mr. James Hennings fled to his office.
Meanwhile the conjurer was wandering in the wings with the drooping
heart of a lost child. What had happened? Why was he a success, and
why did people stare so oddly, and what had become of his wife? When
he asked them the stage hands laughed, and said they had not seen
her. Why should they laugh? He wanted her to explain things, and hear
their good luck. But she was not in her dressing-room, she was not
anywhere. For a moment he felt like crying.
Then, for the second time that night, he pulled himself together.
After all, there was no reason to be upset. He ought to feel very
pleased about the contract, however it had happened. It seemed that
his wife had left the stage in some queer way without being seen.
Probably to increase the mystery she had gone straight home in her
stage dress, and had succeeded in dodging the stage-door keeper. It
was all very strange; but, of course, there must be some simple
explanation like that. He would take a cab home and find her there
already. There was a steak and onions for supper.
Public-domain text, read in full here on John Shaqi.
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