'I don't like it, dear,' said Mabel; 'I don't like your joining Harold
in a thing like that. I know you did it all for the best, but I don't
see why you could not have told him; if he was not well enough to come
to the wedding we should have understood it!'
'Perhaps you're right,' said Mark, easily, 'but, at all events, no
harm has come of it to anybody. How they are thinning the trees along
here, aren't they? Just look down that avenue!'
And Mabel let him turn the conversation from a subject she was glad
enough to forget.
CHAPTER XXXVI.
LITTLE RIFTS.
One bright morning in May, not long after the return from the
Continent, Mabel was sitting in her own room at the back of the small
house which had been taken on Campden Hill; she was writing at a table
by the raised window, when the door opened suddenly, and Mark burst
in, in a state of suppressed but very evident excitement. 'I have
brought you something!' he said, and threw down three peacock-blue
volumes upon her open blotting-case; the title, 'Sweet Bells Jangled,'
ran in sprawling silver letters from corner to corner of the covers,
through a medley of cracked bells and withered hyacinths in dull gold;
the general effect being more bold than pleasing. Mabel was just about
to exclaim sympathetically, 'What a frightful binding they've given
you, dear;' when Mark informed her, with some complacency, that it was
his own design. 'Nowadays, you see,' he explained, 'you want something
to catch the eye, or you won't be read!' Inwardly Mabel could not help
wondering that he could condescend to such a device, or think it
necessary in his own case. 'Look at the fly-leaf,' he said, and she
opened the first volume, and read the printed dedication, '_To My
Wife._' 'I thought that must bring me luck,' he said; 'and now,
darling, do you know what you are going to do? You are going to put
away all those confounded letters and sit down here, and read the
opening chapters carefully, and tell me what you think of them.' For
till then he had made continual excuses for not showing her any
portion of his new work, either in manuscript or proof, from mixed
motives of vanity and diffidence.
Mabel laughed with affectionate pride at his anxiety: 'This is what
comes of marrying a great author!' she said; 'go away and let me begin
at once, and tell you at lunch how I enjoyed it.'
'No,' said Mark despotically, 'I'm going to stay here--or you might
try to skip.'
'But I can't allow that,' she protested; 'suppose I find I'm obliged
to skip--suppose it's a terrible disappointment? No, you ridiculous
Mark, I didn't mean it--stay if you like, I'm not afraid of being
disappointed--though I really would enjoy it best in solitude!'
Public-domain text, read in full here on John Shaqi.
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