The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
Since he had become suspicious of Raoul, Leighton was inclined to
trust the leadership of the two South Americans. The latter, convinced
that there was no way out from this part of the cave, determined to go
back to the central chamber, hoping to find there the entrance to the
tunnel leading to the outside world. They hit on this plan because they
feared an ambush on any of the labyrinthian trails leading off in other
unexplored directions. The rest agreeing, they set out along the path
flanked by the grove of stalactites, traveling at a quicker pace but
with greater caution than before. Miranda and Herran marched ahead with
revolvers drawn, Andrew in the rear still holding his pocket-knife ready
for action. They had been delayed on Mrs. Quayle's account, for that
lady, in spite of her anxiety to get away, had refused to budge without
her jewelry. But it was not easy to satisfy her demand. For, when the
jewelry was taken from its hiding place beneath a rock, it still showed
the same strong tendency to fly to the Black Magnet. This distressed
Mrs. Quayle, who refused to touch the treasures that she was at the
same time loath to part with. But a compromise was finally effected by
tying all the jewelry securely around Andrew's waist. This arrangement
appeased the owner--but it gave an uncomfortable backward pull to
every step the schoolmaster took, who thus resembled, in walking, a
ship sailing against the wind. This inconvenience, however, steadily
decreased as they came out of the disturbing region of the Black Magnet,
until finally these ancient heirlooms of Mrs. Quayle's regained their
natural composure.
But there were other things besides the Black Magnet to interrupt
their progress. No sooner had they gotten well under way and were
congratulating themselves on their escape from mishap so far, than they
were startled by a wild and piercing strain of music, seeming to come
from the grove of stalactites before which they were hurrying. Amazed
by so singular an interruption, they stopped short and looked fearfully
about them. A sound of scornful laughter blended with the music.
"Raoul!" muttered Leighton.
But there was nothing to be seen of the strange American whose mocking
laughter they were sure, nevertheless, they had heard. Then the music
grew louder and louder, as if the musicians were steadily approaching
in their direction. The music itself was subtly different, in tone
and pitch, from anything played in the outside world. The high notes
evidently came from wind instruments, but of a unique quality and
caliber. Mingling with these notes, and sustaining the bass, were the
heavy beatings of drums of the kind still used, although deeper and
mellower, by the native Indians in their festivals.
Public-domain text, read in full here on John Shaqi.
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