The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
The fanciful story, the fabulous antiquity claimed for the palace before
her, increased the sense of unreality and mystery filling Una's mind
as she listened to Narva. The story itself was not unlike others of
the kind, handed down from one generation to another, explaining the
origin of some ancient South American race. In the telling of it Narva,
for the first time, forgot her reserve, and her simple eloquence, her
apparent belief in the quaint old fable she was telling, added greatly
to its impressiveness. And there stood the great palace before her,
with its flying condor guarding forever the descendants of that mythical
old zipa! Una was unable to go back in imagination to that primeval
past, especially as it had to do with a country and a people of which
she knew nothing. But the tale itself, and the grace and beauty of the
palace about which it had been woven, reminded her of much that she had
heard and read in other than Indian mythology and literature. Pageants
from medieval legend, with their phantom castles in haunted forests,
engaged her fancy as she listened. For the moment she half expected to
see a troop of Arthurian knights, intent upon some mystic quest, issue
forth from the stately portal, bringing with them a flash of vivid
light and movement that as yet the picture lacked. A zipa she had never
seen, had never heard of before--and even a condor filled a place in
her imagination that was not much more real than that occupied by the
roc, the giant bird of the Arabian tales. But neither Christian knight
nor pagan zipa was here. The silence, now that Narva had finished her
tale, was profound. The murmur of voices, distinctly heard a short
time before, was lost in the distance. The apparent isolation of a
building so rich in possibilities of usefulness, so well preserved
architecturally, was its most inexplicable feature. Una was almost
persuaded that the palace before her was uninhabited, abandoned. If it
belonged, as Narva said, to the dim past of a vanished race, it stood
now merely as a monument to forgotten greatness. Or--did it still serve
as a refuge, a protection, to the descendants of that condor-born zipa
of Narva's legend?
Public-domain text, read in full here on John Shaqi.
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