The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
The latter had withdrawn to the far side of David's couch, whence he
had watched, with alternate amusement and contempt, all that took place
between these two. He now advanced, with the air of one who has the
mastery of a difficult situation, and again proffered his services.
There was mockery in his voice; before he addressed himself to his
task he repeated his warning to Sajipona, reminding her that it might
be better not to revive too suddenly a past filled, possibly, with
disagreeable surprises. His warning waved impatiently aside, Raoul
turned swiftly upon David, his restless, irritating eyes fixed in a
steady glare that, bit by bit, broke down the latter's opposition.
Forcing his victim to be seated upon the side of the couch, he stood
over him, for a short space, in silence. There was nothing in all
this of the gesture and mummery traditionally accompanying certain
spectacular manifestations of hypnotism; neither were the two men
at any time in physical contact with each other. An onlooker would
say that the younger man was unconsciously brought into a passive
condition by the exertion upon him of a stronger will, intensified by
facial peculiarities that were well calculated to hold the attention.
Eyes like Raoul's, although exciting repugnance, at the same time
arouse curiosity. Once absorbed in probing their baffling depths, the
object of their regard yields to a sort of baleful fascination hard
to shake off. In former years David had been used by Raoul in various
psychological experiments, and was thus accustomed, on such occasions,
to surrender himself to the other's compelling influence. This habit was
now unconsciously revived. The old grooves of thought and conduct were
reopened, as it were, by the resumption of a parallel outward condition.
As a result, David fell into a state of complete mental inertia.
To this influence Raoul now added the force of direct suggestion, or,
rather, verbal command. The subtle arts of apparent submission, or,
at the least, mild expostulation which he usually employed in gaining
his ends with an intractable opponent, were cast aside. His attack was
concentrated, he spoke scornfully, without compromise in utterance or
meaning, so that his hypnotized subject was forced either to resist or
to be carried along by him. Through this direct, positive method, he
took David back, step by step, over events in the immediate past that
had become obscured in his memory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account