The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
Una could not guess the source of the liquid, musical notes. They might
have come from the quaint instruments she had seen so deftly played
upon by the cavemen marching with Anitoo, or from the lyre that, at
Sajipona's touch, gave forth such plaintive melodies. But the music she
listened to now was not continuous; its lack of formal melody, unity of
theme, gave it a quality different from anything she had ever heard.
In the outer world it might have been taken for the windsong sweeping
through tossed branches of forest trees. But here there was neither
wind nor forest. The air was motionless, and had ever been so; the vast
spaces seemed filled with the unruffled sleep of centuries. Down below,
in the great court, and even in the palace garden, saturated with light
and beauty though both were, one felt something of the chill mystery
that penetrates all underground places. Here there was mystery, but it
was a kind that soothed rather than terrified. Tier by tier, as Una
passed along the slender white columns enclosing the gallery up which
she was ascending, the sense of gloom, foreboding, that had weighed
upon her until now, was weakened. She felt the magic of a new world of
romance and adventure. She was at the very heart of its secret. Flashes
of color in paneled niches along the walls piqued her curiosity. Robes
of vivid scarlet, hiding limbs of sparkling whiteness, it might be,
hung just beyond her reach. Further on these niches were filled with
glittering masses of gold, heaped high in barbaric scorn of art or
fitness. Rudely fashioned crowns, massive enough to have burdened their
wearers with more than the traditional care that goes with royalty;
armlets, breastplates, tiaras heavy with emeralds--in deep recesses, row
on row, from story to story, these witnesses of the pomp and pride of
fallen nations, were thrown together in a careless profusion possible
only in an Aladdin's palace of marvels.
As Una hurried past she realized with a thrill that she was in the
ancient treasure-house of a once mighty empire. The fruit of the earth's
richest mines, brought here by the labor and cunning of centuries, lay
at her hand. It seemed impossible that all this jeweled splendor could
have escaped the fires of war and crime that had kindled within the
breasts of millions who had sacrificed their lives merely to grasp some
small portion of it. Fascinating baubles now were these relics of past
greatness, dainty or rude, meaningless, or eloquent of forgotten faiths
and legends. Innocent of harm they seemed, a passing feast for the eye,
trophies to celebrate and adorn feminine loveliness, but no longer a
madness in the bones of men.
Public-domain text, read in full here on John Shaqi.
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