The Gilded Man: A Romance of the AndesSmyth, Clifford
Science
The Gilded Man: A Romance of the Andes
Smyth, Clifford
Andes Region -- Fiction; El Dorado -- Fiction; Science fiction
The implement employed by Nature in fashioning her underground
caverns is usually water. Some mighty spring, deep within the earth's
bosom, seeks an outlet for its accumulating current. It forces its
way through whatever porous layer of rock comes in its path, and by
persistent action, occupying ages of time, disintegrates and destroys
it altogether. There is left, as a result of the subterranean stream's
activity, a series of tunnels, widening out oftentimes into great rock
chambers, and extending, in several well known instances, for many
miles. Wherever water is the sole architect the lines that it carves,
the forms it molds, are smooth, well-rounded; there are no jagged edges,
sharp angles in the fairy palaces and intricate labyrinths that it
leaves as specimens of its artistic method. The walls of the Guatavita
tunnel, however, were eloquent of a totally different force employed in
their making. The marks of an angry Titan were upon them; the Titan of
Fire. They told of an elemental tragedy, swift and cataclysmic in its
action. The deep scars in their surfaces, the rough crags and pinnacles
jutting from them, were the epic characters in which the monster's
struggle for freedom were written down for all posterity to study and
wonder at.
Thus, Leighton did not hesitate to attribute an igneous origin to
the cave, and it was after a close examination of the earth and
pebble-strewn floor that the smaller tunnel was chosen as the best
for exploration. There were footprints in both tunnels, but in this
one they were more numerous than in the other, where they had been
made, according to Raoul, at the time dynamite had been used in the
excavations. Comparing these footprints, those in the larger tunnel
were evidently from ordinary shoes, while in the smaller they bore the
impress of sandals.
"Andrew's man in the toga is the one we want," remarked Leighton, a
decision that added to Mrs. Quayle's agitation and did not appear to
increase the schoolmaster's desire for adventure. The discovery of the
imprint of sandaled feet, however, changed Doctor Miranda's attitude
toward Andrew from banter almost to admiration.
"It is true, what he say, this leetle fellow," he declared in
astonishment. "He follow him here, the sandals--and he is alone. He is
brave man, this Parmelee!"
Raoul remained silent and Herran shrugged his shoulders skeptically.
After all, it was difficult to believe, on the strength of a mere
footprint, that the singular being described by the schoolmaster
actually existed and had disappeared, like some wraith, in the depths of
the cave.
"That will be a hard path to follow," said Raoul finally. "I tried
it--once."
"What did you find?"
"Nothing--a dead wall."
"Mercy!" ejaculated Mrs. Quayle, not catching his meaning.
"There was no danger that I could see," continued Raoul; "but there was
hard traveling, and no result worth the effort."
"Did you notice these footprints when you were here before?"
Public-domain text, read in full here on John Shaqi.
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