The Gipsy: A Tale (Vols I & II)James, G. P. R. (George Payne Rainsford)
General
The Gipsy: A Tale (Vols I & II)
James, G. P. R. (George Payne Rainsford)
Romanies -- Fiction
He was almost immediately joined by the peer, who was surprised but
not sorry to see his guest look so much like a gentleman; for though
he sincerely desired that he should be such at heart as to do his
unscrupulous bidding unscrupulously, yet he was quite willing to have
him such, in appearance, as would excite neither wonder nor
animadversion.
Hasty as the peer was by nature, and eager as he was in the present
instance, he had acquired sufficient command over himself to reserve
any more open communication with Sir Roger till a more proper moment;
although, had he given way to the impulse of his own heart, he would
have entered upon the business which occupied his thoughts at once.
But he felt what an advantage such a course of action would confer
upon his guest; and, therefore, without showing the slightest haste or
impatience, he spoke a moment or two upon the weather, and the state
of the nation, and the alarming increase of crime in the metropolis,
and several other things, about which he cared not in the least, and
then turned to some of the pictures that hung upon the walls,
expatiating upon their various merits with as much learning as a
connoisseur, and as much taste as an Agar Ellis. "Yes," he said, "that
is a very fine picture, though not so valuable as it looks. It is by
one of the disciples of Rubens, and artists believe the heads to be by
Rubens himself. But I will show you a real treasure!" and approaching
a small panel opposite, covered with two richly-carved and gilded
doors, he opened them; and, drawing a silk curtain, displayed an inner
frame containing a Madonna exquisitely painted. "That is an undoubted
Correggio," he said; "and one of the most beautiful pictures that
master ever painted. Remark the exquisite bend of that head, so full
of grief and resignation. The beauty of the colouring, too--that tear
upon the cheek, the faint pink of the nostril partaking slightly of
the blue of the drapery, and the drapery itself, how masterly! Look
here, too, at the hands crossed upon the breast! Did you ever behold
such beautiful hands? so small and delicate, yet so soft and full!
every thing graceful and light, yet every thing full of contour and
correctness!"
Public-domain text, read in full here on John Shaqi.
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