The Girl at the Halfway House: A Story of the PlainsHough, Emerson
General
The Girl at the Halfway House: A Story of the Plains
Hough, Emerson
Great Plains -- Fiction; Historical fiction, American
Suddenly the climax came. The door was thrust irresistibly open, not
from without, but from within. Stooping, so that his head might clear
its top, the enormous figure of Juan, the Mexican, appeared in the
opening. He looked out, ignorant of the real reason of this tumult,
yet snuffing conflict as does the bear not yet assailed. His face,
dull and impassive, was just beginning to light up with suspicion and
slow rage.
A roar of anger and excitement rose as the prisoner was seen standing
there before them, though outlined only by the dim light of the sky.
Every man in the assailing party sprang toward the building. The cries
became savage, beastlike. It was no longer human beings who contended
over this poor, half-witted being, but brutes, less reasonable than he.
Juan left the door. He swept Franklin and Curly and Battersleigh aside
as though they were but babes. It was his purpose to rush out, to
strike, to kill. It was the moment of opportunity for the leader of
the assailants. The whistle of a rope cut the air, and the noose
tightened about the giant's neck with instant grip. There was a surge
back upon the rope, a movement which would have been fatal for any
other man, which would have been fatal to him, had the men got the rope
to a horse as they wished, so that they might drag the victim by
violence through the crowd.
But with Juan this act was not final. The noose enraged him, but did
not frighten or disable him. As the great bear of the foothills, when
roped by the horseman, scorns to attempt escape, but pulls man and
horse toward him by main force, so the giant savage who was now thus
assailed put forth his strength, and by sheer power of arm drew his
would-be captors to him, hand over hand. The noose about his own neck
he loosened with one hand. Then he raised his hand and let it fall.
The caster of the rope, his collar bone broken and his shoulder blade
cracked across, fell in a heap at his feet as the swaying crowd made
way. Once again there was silence, one moment of confusion,
hesitation. Then came the end.
There came, boring into the silence with horrible distinctness, the
sound of one merciful, mysterious shot. The giant straightened up
once, a vast black body towering above the black mass about him, and
then sank gently, slowly down, as though to curl himself in sleep.
There was a groan, a roar, a swift surging of men, thick, black, like
swarming bees. Some bent above the two prone figures. Others caught
at the rope, grovelling, snarling.
Public-domain text, read in full here on John Shaqi.
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