The Girl at the Halfway House: A Story of the PlainsHough, Emerson
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The Girl at the Halfway House: A Story of the Plains
Hough, Emerson
Great Plains -- Fiction; Historical fiction, American
Franklin looked out over a deserted and solitary land as he rode up to
the foot of the hill. There were no longer banners of dust where the
wild game swept by, nor did the eye catch any line of distant horsemen.
It was another day. Yet, as did the candidate of old, he left his
horse at the foot of the hill and went up quite alone.
It was afternoon as he sat down. The silence and solitude folded him
about, and the sun sank so fitly slow that he hardly knew, and the
solemn night swept softly on. . . . Then he built a little fire. . . .
In the night, after many hours, he arose and lifted up his hands. . . .
At the foot of the hill the pony stopped cropping grass, tossed his
head, and looked up intently at the summit.
It was morning. The sun rose calm and strong. The solitary figure
upon the hill sat motionless, looking out. There might have passed
before him a perspective of the past, the Plains peopled with their
former life; the oncoming of the white men from below; the remnant of
the passing Latin race, typified in the unguided giant who, savage with
savage, fought here near by, one brutal force meeting another and both
passing before one higher and yet more strong. To this watcher it
seemed that he looked out from the halfway point of the nation, from
the halfway house of a nation's irresistible development.
Franklin had taken with him a small canteen of water, but bethinking
himself that as of old the young man beseeching his dream neither ate
nor drank until he had his desire, he poured out the water at his side
as he sat in the dark. The place was covered with small objects, bits
of strewn shells and beads and torn "medicine bundles"--pieces of
things once held dear in earlier minds. He felt his hand fall by
accident upon some small object which had been wetted by the wasted
water. Later, in the crude light of the tiny flame which he had
kindled, this lump of earth assumed, to his exalted fancy, the grim
features of an Indian chieftain, wide-jawed, be-tufted, with low brow,
great mouth, and lock of life's price hanging down the neck. All the
fearlessness, the mournfulness, the mysticism of the Indian face was
there. Franklin always said that he had worked at this unconsciously,
kneading the lump between his fingers, and giving it no thought other
than that it felt cooling to his hand and restful to his mind. Yet
here, born ultimately of the travail of a higher mind, was a man from
another time, in whose gaze sat the prescience of a coming day. The
past and the future thus were bridged, as may be done only by Art, the
enduring, the uncalendared, the imperishable.
Shall we say that this could not have been? Shall we say that Art may
not be born in a land so young? Shall we say that Art may not deal
with things uncatalogued, and dare not treat of unaccepted things?
Nay, rather let us say that Art, being thought, has this divine right
of elective birth. For out of tortures Art had here won the deep
_imprimatur_.
Public-domain text, read in full here on John Shaqi.
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