Actresses -- Fiction; Americans -- England -- Fiction; Love stories; Mate selection -- Fiction
The next night Dan, magnetically drawn down the Strand to the Gaiety,
arrived just before the close of the last act, slipped in, and sat far
back watching Letty Lane close her part. After hearing her sing as she
had the afternoon before in the worldly group, it was curious to see her
before the public in her flashing dress and to realize how much she was
a thing of the people. To-night she was a completely personal element to
Dan. He could never think of her again as he had hitherto. The sharp
drive through the town that afternoon in her motor had made a change in
his feelings. He had been hurt for her, with anger at the Duchess of
Breakwater’s rudeness, and from the first he had always known that there
was in him a hot championship for the actress. To-night, whenever the
man who sang with her, put his arms around her, danced with her, held
her, it was an offense to Dan Blair; it had angered him before, but
to-night it did more. One by one everything faded out of his foreground
but the brilliant little figure with her golden hair, her lovely face,
her beautiful graceful body, and in her last gesture on the stage before
the curtain went down, she seemed to Blair to call him and distinctly to
make an appeal to him:
“You might rest your weary feet
If you came to Mandalay.”
Well, there was nothing weary about the young, live, vigorous American,
as, standing there in his dark edge of the theater, his hands in his
pockets, his bright face fixed toward the stage, he watched the slow
falling of the curtain on the musical drama. Dan realized how full of
vigor he was; he felt strong and capable, indeed a feeling of power
often came to him delightfully, but it had never been needful for him to
exert his forces, he had never had need to show his mettle. Now he felt
at those words:
“You might rest your weary feet”
how, with all his heart, he longed that the dancer should rest those
lovely tired little feet of hers, far away from any call of the public,
far away on some lovely shore which the hymn tune called the coral
strand. As he gazed at her mobile, sensitive face, whose eyes had seen
the world, and whose lips—Dan’s thoughts changed here with a great pang,
and the close of all his meditations was: “Gosh, she ought to rest!”
The boy walked briskly back of the scenes toward the little door, behind
which, as he tapped, he hoped with all his heart to hear her voice bid
him come in. But there were other voices in the room. He rattled the
door-knob and Letty Lane herself called to him without opening the door:
“Will you go, please, Mr. Blair? I can’t see any one to-night.”
He had nothing to do but to go—to grind his heel as he turned—to swear
deeply against Poniotowsky. His late ecstasy was turned to gall. The
theater seemed horrible to him: the chattering of the chorus girls,
their giggles, their laughter as he passed the little groups, all seemed
weird and infernal, and everything became an object of irritation.
Public-domain text, read in full here on John Shaqi.
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