Detective and mystery stories; Police -- Great Britain -- Fiction; Women detectives -- Fiction
Leslie went into her bedroom with a yawn, gathered her sleeping things
and disappeared into the bathroom. The listener heard the sound of
running water, heard her bid a reassuring good-night to the tremulous
servant, and then the door of the bedroom opened and closed. The light
was extinguished; there was the creak of a bed, and after a while the
sound of deep, regular breathing.
For an hour the yellow man lay, not moving a muscle, and then,
reaching up, he caught hold of the wooden moulding, tested its
strength, and was satisfied. He felt the long, queer-shaped knife that
was in his belt, and, with the agility of a cat, and supported only by
his sinewy fingers, he drew himself clear of the wardrobe, and dropped
noiselessly on to the carpet.
The wardrobe hardly creaked as he moved; save for the soft pad of his
bare feet and the breathing of the sleeper there was no sound. Holding
the knife lightly in his right hand, he groped along the pillow with
his left, ready to pounce upon and strangle the scream before it rose.
There was no head on the first pillow, none on the right--the bed was
empty. He straightened himself up quickly, half turned as he heard a
sound from behind him, but it was too late. An arm of steel flung
round his throat, the knife hand was gripped at the wrist and twisted
so sharply that the weapon fell to the floor.
“I want you!” It was Coldwell’s voice.
He lifted the little figure without difficulty, and reached out his
hand to turn on the light. At that moment the prisoner recovered
himself, and with amazing strength twisted round to face the
detective. Coldwell realized that he had on his hands something with
the ferocity and suppleness of a wild cat, something that growled and
clawed and kicked so that not a limb of him was still. The
unexpectedness of that furious onslaught threw him for a second off
his balance. He drove out with his right, but as though he could see
in the dark, the assassin dodged, and in another second he was free
and had flown through the open door. Coldwell followed, but too late.
With one leap the little man crashed through sash and pane and dropped
unharmed to the street below. A policeman made a dive at him, but he
ducked, flew across the road, and disappeared down a court by the side
of a theatre toward St. Martin’s Lane.
“Didn’t even see him,” said Coldwell bitterly, when he called the girl
in from Lucretia’s room. The detective’s face was scratched, his
collar torn. “It was rather like tackling a young tiger.”
Leslie had turned on the lights and they saw the extent of the damage.
He must have dived for the lower sash, head-first, for the upper
window was untouched. There was not a scrap of glass remaining, and
the cross supports of wood were smashed to splinters.
“I’ve heard of such things being done,” said Coldwell, “and I’ve seen
them done--on the stage! But never in real life and through
three-quarter inch moulding!”
Public-domain text, read in full here on John Shaqi.
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