Lagerlöf, Selma, 1858-1940 -- Translations into English; Short stories, Swedish -- Translations into English; Sweden -- Fiction
Once she wrote a couple of chapters in another style. One was a scene
from Svartsjö churchyard; the other was about the old philosopher, Uncle
Eberhard, and his infidel manuscripts. She scribbled them mostly in fun,
with many ohs and ahs in the prose, which made it almost rhythmical. She
perceived that in this vein she could write. There was inspiration in
this--she could feel it. But when the two short chapters were finished,
she laid them aside. They were only written in fun. One could not write
a whole book in that vein.
But now the story had been waiting long enough. It thought, no doubt, as
it did at the time when it sent her out in the world: "Again I must send
this blinded person a great longing which will open her eyes."
The longing came over her in this manner: The homestead where she had
grown up was sold. She journeyed to the home of her childhood to see it
once again before strangers should occupy it.
The evening before she left there, perhaps nevermore to see the dear old
place, she concluded in all meekness and humility to write the book in
her own way and according to her own poor abilities. It was not going to
be any great masterwork, as she had hoped. It might be a book at which
people would laugh, but anyway she would write it--write it for herself,
to save for herself what she could still save of the home--the dear old
stories, the sweet peace of the care-free days, and the beautiful
landscape with the long lakes and the many-hued blue hills.
But for her, who had hoped that she might yet learn to write a book
people would care to read, it seemed as though she had relinquished the
very thing in life she had been most eager to win. It was the hardest
sacrifice she had made thus far.
A few weeks later, she was again at her home in Landskrona, seated at
her writing-desk. She began writing--she didn't know exactly what it was
to be--but she was not going to be afraid of the strong words, the
exclamations, the interrogations, nor would she be afraid to give
herself with all her childishness and all her dreams! After she had come
to this decision, the pen began to move almost by itself. This made her
quite delirious. She was carried away with enthusiasm. Ah, this was
writing! Unfamiliar thoughts and things, or, rather, things she never
had surmised were stored away in her brain, crowded down upon the paper.
The pages were filled with a haste of which she had never dreamed. What
had hitherto required months--no, years--to work out, was now
accomplished in a couple of hours. That evening she wrote the story of
the young countess' tramp over the ice on River Löven, and the flood at
Ekeby.
The following afternoon she wrote the scene in which the gouty ensign,
Rutger von Örneclou, tries to raise himself in bed to dance the Cachuca,
and the evening of the next day appeared the story of the old _Mamsell_
who went off to visit the parsimonious Broby clergyman.
Public-domain text, read in full here on John Shaqi.
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