Lagerlöf, Selma, 1858-1940 -- Translations into English; Short stories, Swedish -- Translations into English; Sweden -- Fiction
No one in Ullerud could say anything of fiddler Lars Larsson but that he
was both meek and modest in his later years. But he had not always been
thus, it seems. In his youth he had been so overbearing and boastful
that people were in despair about him. It is said that he was changed
and made over in a single night, and this is the way it happened.
Lars Larsson went out for a stroll late one Saturday night, with his
fiddle under his arm. He was excessively gay and jovial, for he had just
come from a party where his playing had tempted both young and old to
dance. He walked along, thinking that while his bow was in motion no one
had been able to sit still. There had been such a whirl in the cabin
that once or twice he fancied the chairs and tables were dancing too! "I
verily believe they have never before had a musician like me in these
parts," he remarked to himself. "But I had a mighty rough time of it
before I became such a clever chap!" he continued. "When I was a child,
it was no fun for me when my parents put me to tending cows and sheep
and when I forgot everything else to sit and twang my fiddle. And just
fancy! they wouldn't so much as give me a real violin. I had nothing to
play on but an old wooden box over which I had stretched some strings.
In the daytime, when I could be alone in the woods, I fared rather well;
but it was none too cheerful to come home in the evening when the cattle
had strayed from me! Then I heard often enough, from both father and
mother, that I was a good-for-nothing and never would amount to
anything."
In that part of the forest where Lars Larsson was strolling a little
river was trying to find its way. The ground was stony and hilly, and
the stream had great difficulty in getting ahead, winding this way and
that way, rolling over little falls and rapids--and yet it appeared to
get nowhere. The path where the fiddler walked, on the other hand, tried
to go as straight ahead as possible. Therefore it was continually
meeting the sinuous stream, and each time it would dart across it by
using a little bridge. The musician also had to cross the stream
repeatedly, and he was glad of it. He thought it was as though he had
found company in the forest.
Where he was tramping it was light summer-night. The sun had not yet
come up, but its being away made no difference, for it was as light as
day all the same.
Still the light was not quite what it is in the daytime. Everything had
a different color. The sky was perfectly white, the trees and the
growths on the ground were grayish, but everything was as distinctly
visible as in the daytime, and when Lars Larsson paused on any of the
numerous bridges and looked down into the stream, he could distinguish
every ripple on the water.
Public-domain text, read in full here on John Shaqi.
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