Lagerlöf, Selma, 1858-1940 -- Translations into English; Short stories, Swedish -- Translations into English; Sweden -- Fiction
"It is absolutely certain that this will be the death of me!" said he.
"And it is a righteous punishment for all my conceit."
Far along in the evening a human being came wandering through the wood.
It was a poor old woman with bent back and white hair, and a countenance
that was furrowed by many sorrows.
"It seems strange," thought the player, "but I think I recognize that
old woman. Can it be possible that it is my mother? Can it be possible
that mother has grown so old and gray?"
He called aloud and stopped her. "Mother, mother, come here to me!" he
cried.
She paused, as if unwillingly. "I hear now with my own ears that you are
the best musician in Vermland," said she. "I can well understand that
you do not care any more for a poor old woman like me!"
"Mother, mother, don't pass me by!" cried Lars Larsson. "I'm no great
performer--only a poor wretch. Come here that I may speak with you!"
Then the mother came nearer and saw how he sat and played. His face was
as pale as death, his hair dripped sweat, and blood oozed out from under
the roots of his nails.
"Mother, I have fallen into misfortune because of my vanity, and now I
must play myself to death. But tell me, before this happens, if you can
forgive me, who left you alone and poor in your old age!"
His mother was seized with a great compassion for the son, and all the
anger she had felt toward him was as if blown away. "Why, surely I
forgive you!" said she. And as she saw his anguish and bewilderment and
wanted him to understand that she meant what she said, she repeated it
in the name of God.
"In the name of God our Redeemer, I forgive you!"
And when she said this, the bow stopped, the violin fell to the ground,
and the musician arose saved and redeemed. For the enchantment was
broken, because his old mother had felt such compassion for his distress
that she had spoken God's name over him.
The Legend of the Christmas Rose
Public-domain text, read in full here on John Shaqi.
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