Atoms -- Fiction; Chemists -- Fiction; Love stories; Science fiction
Through the garden a little gray-pebbled path wound back to where a
house stood, nearly hidden in a grove of trees, upon a bluff directly
overlooking the lake.
"My home, gentlemen," said the Chemist, with a wave of his hand.
As they approached the house they heard, coming from within, the mellow
voice of a woman singing--an odd little minor theme, with a quaint,
lilting rhythm, and words they could not distinguish. Accompanying the
voice were the delicate tones of some stringed instrument suggesting a
harp.
"We are expected," remarked the Chemist with a smile. "Lylda is still
up, waiting for us." The Very Young Man's heart gave a leap at the
mention of the name.
From the outside, the Chemist's house resembled many of the larger ones
they had seen as they came through the city. It was considerably more
pretentious than any they had yet noticed, diamond-shaped--that is to
say, a flattened oblong--two stories in height and built of large blocks
of the gray polished stone.
Unlike the other houses, its sides were not bare, but were partly
covered by a luxuriant growth of vines and trellised flowers. There were
no balconies under its windows, except on the lake side. There, at the
height of the second story, a covered balcony broad enough almost to be
called a veranda, stretched the full width of the house.
A broad door of brass, fronting the garden, stood partly open, and the
Chemist pushed it wide and ushered in his friends. They found themselves
now in a triangular hallway, or lobby, with an open arch in both its
other sides giving passage into rooms beyond. Through one of these
archways the Chemist led them, into what evidently was the main
living-room of the dwelling.
It was a high-ceilinged room nearly triangular in shape, thirty feet
possibly at its greatest width. In one wall were set several
silvery-curtained windows, opening out on to the lake. On the other side
was a broad fireplace and hearth with another archway beside it leading
farther into the house. The walls of the room were lined with small gray
tiles; the floor also was tiled with gray and white, set in design.
On the floor were spread several large rugs, apparently made of grass or
fibre. The walls were bare, except between the windows, where two long,
narrow, heavily embroidered strips of golden cloth were hanging.
In the center of the room stood a circular stone table, its top a highly
polished black slab of stone. This table was set now for a meal, with
golden metal dishes, huge metal goblets of a like color, and beautifully
wrought table utensils, also of gold. Around the table were several
small chairs, made of wicker. In the seat of each lay a padded fiber
cushion, and over the back was hung a small piece of embroidered cloth.
With the exception of these chairs and table, the room was practically
devoid of furniture. Against one wall was a smaller table of stone, with
a few miscellaneous objects on its top, and under each window stood a
small white stone bench.
Public-domain text, read in full here on John Shaqi.
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