Dramatists -- Fiction; Love stories; Mystery fiction
"An' a fine grand hat it is!" he earnestly assured the new owner, as he
handed it over.
Laurie took the hat and put it on his head, where, being too small for
him, it perched at a rakish angle. He dropped the bank-note into his own
silk hat, and handed them to his companion, who accepted them without
visible emotion. Evidently, brief though his stay in the building had
been, Herbert Ransome Shaw had accustomed its watchman to surprises.
Laurie's last glimpse of the man as he hurried away showed him, with
extreme efficiency and the swift simultaneous use of two well-trained
hands, putting the silk hat on his head and the bill in his pocket.
Laurie rushed through the early East Side streets. He was not often
abroad at this hour, and even in his anxiety it surprised him to
discover how many were abroad so early in the morning. The streets
seemed full of pretty girls, hastening to factories and offices, and of
briskly stepping men and women, representing types that also would
ordinarily catch the attention of the young playwright. But now he had
neither thought nor eyes for them.
His urgent needs were first the assurance that Doris was safe, and next
the privacy of his own rooms, a bath, and a change of clothing.
Obviously, he could not present himself to Doris in the sketchy ensemble
he presented now; or could he? He decided that he could, and must. To
remain in his present state of suspense a moment longer than he need do
was unthinkable.
In a surprisingly short time he was in the studio building, facing the
man Sam had called Henry, a yawning night elevator man who regarded him
and his questions with a pessimism partly due to the lack of sleep and
fatigue. These combined influences led him to make short work of getting
rid of this unkempt and unseasonable caller.
"No, sah," he said. "Miss Mayo don' receive no callers at dis yere hour.
No, sah, Sam don' come on tell eight o'clock. No, sah, I cain't take no
messages to no ladies what ain't out dey beds yit. I got to perteck dese
yere folks, I has," he ended austerely.
The caller peeled a bill from his ever-ready roll, and the face of the
building's guardian angel changed and softened.
"P'raps I could jes' knock on Miss Mayo's do'," he suggested after a
thought-filled interval.
"That's all I want," agreed Laurie. "Knock at her door and ask her if
Mr. Devon may call at nine and take her out to breakfast. Tell her he
has something very important to say to her."
"Yaas, sah."
The guardian was all humility. He accepted the bill, and almost
simultaneously the elevator rose out of sight. The interval before its
return was surprisingly short, but too long for the nerves of the
caller. Laurie, pacing the lower hall, filled it with apprehensions and
visions which drove the blood from his heart. He could have embraced
Henry when the latter appeared, wearing an expansively reassuring grin.
"Miss Mayo she say, 'Yaas,'" he briefly reported.
Public-domain text, read in full here on John Shaqi.
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