Dramatists -- Fiction; Love stories; Mystery fiction
"You don' t'ink she gone?" he stammered.
"Why should we think she has gone?" Laurie tried to grin at him.
"Perhaps she's merely taking an automobile ride, or an early train for a
day in the country. Certainly nothing here looks as if she had gone away
for good. People usually pack, don't they?"
Sam dropped his eyes. His face, human till now, took on its familiar,
sphinxlike look. He followed "Mist' Devon" into the elevator in silence,
and started the car on its downward journey. But as his passenger was
about to depart with a nod, Sam presented him with a reflection to take
away with him.
"She didn' _look_ lak no lady what was goin' on no excu'sion," he
muttered, darkly.
Laurie rushed back to his rooms with pounding heart and on the way
opened and read at a glance his first note from Doris. It was written in
pencil, seemingly on a scrap of paper torn from the pad he had seen on
her desk.
Long Island, I _think_. An old house, on the Sound, somewhere near
Sea Cliff. Remember your promise. _No police._
That was all there was to it. There was no address, no signature, no
date. The writing, though hurried, was clear, beautiful, and full of
character. In his rooms, he telephoned the garage for his car, and read
and reread the little note. Then, still holding it in his hand, he
thought it over.
Two things were horribly clear. Shaw's "plan" had matured. He had taken
Doris away. And--this was the staggering phase of the episode--she
seemed to have gone willingly. At least she had made no protest, though
a mere word, even a look of appeal from her, would have enlisted Sam's
help, and no doubt stopped the whole proceeding. Why hadn't she uttered
that word? The answer to this, too, seemed fairly clear. Doris had
become a fatalist. She had ceased to hide or fight. She was letting
things go "his way," as she had declared she would do.
Down that dark avenue she had called "his way" Laurie dared not even
glance. His mind was too busy making its agile twists in and out of the
tangle. Granting, then, that she had gone doggedly to meet the ultimate
issue of the experience, whatever that might be, she had nevertheless
appealed to him, Laurie, for help. Why? And why did she know
approximately where she was to be taken?
Why? Why? Why? Again and again the question had recurred to him, and
this time it dug itself in.
Despite his love for her (and he fully realized that this was what it
was), despite his own experience of the night before, he had hardly been
able to accept the fact that she was, must be, in actual physical
danger. When, now, the breath of this realization blew over him, it
checked his heart-beats and chilled his very soul. In the next instant
something in him, alert, watchful, and suspicious, addressed him like an
inner voice.
Public-domain text, read in full here on John Shaqi.
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