California -- Fiction; Western stories; Women pioneers -- Fiction
“What the deuce is up?” inquired Trinidad simultaneously with the
Deputy’s cry of “Bring him in!” And almost instantly the Deputy,
followed by Ashby and others, entered, dragging along with him the
unfortunate Jose Castro. The rough handling that he had received had not
improved his appearance. His clothing, half Mexican, the rest of odds
and ends, had been torn in several places. He looked oily, greasy and
unwashed, while the eyes that looked around in affright had lost none of
their habitual trickiness and sullenness.
And precisely as Castro appeared wholly different than when last seen in
the company of his master, so, too, was Ashby metarmorphosed. His hat
was on the back of his head; his coat looked as if he had been engaged
in some kind of a struggle; his hair was ruffled and long locks
straggled down over his forehead; while his face wore a brutal, savage,
pitiless, nasty look.
By this time all the regular habitués of the saloon had come in and were
crowding around the greaser with scowling, angry faces.
“The greaser on the trail!” gurgled Ashby in his glass, having left his
prisoner for a moment to fortify himself with a drink of whisky.
Whereupon, the Sheriff advanced and, with rough hands, jerked the
prisoner’s head brutally.
“Here you,” he said, “give us a look at your face.”
But the Sheriff had never seen him before. And in obedience to his
commands to “Tie him up!” the Deputy and Billy Jackrabbit took a lariat
from the wall and proceeded to bind their prisoner fast. When this was
done Ashby called to Nick to serve him another drink, adding:
“Come on, boys!”
Instantly there was an exclamatory lining up at the bar, only Sonora,
apparently, seeming disinclined to accept, which Ashby was quick to
note. Turning to him quickly, he inquired:
“Say, my friend, don’t you drink?”
But no insult had been intended by Sonora’s omission; it was merely most
inconsiderate on his part of the feelings of others; and, therefore,
there was a note of apology in the voice that presently said:
“Oh, yes, Mr. Ashby, I’m with you all right.”
During this conversation the eyes of the greaser had been wandering all
over the room. But as the men moved away from him to take their drinks
he started violently and an expression of dismay crossed his features.
“Ramerrez’ saddle!” he muttered to himself. “The _Maestro_--he is
taken!”
Just then there came a particularly loud burst of approval from the
spectators of the dancing going on in the adjoining room, and
instinctively the men at the bar half-turned towards the noise. The
prisoner’s eyes followed their gaze and a fiendish grin replaced the
look of dismay on his face. “No, he is there dancing with a girl,” he
said under his breath. A moment later Nick let down the bear-skin
curtain, shutting off completely the Mexican’s view of the dance-hall.
“Come, now, tell us what your name is?” The voice was Ashby’s who,
together with the others, now surrounded the prisoner. “Speak up--who
are you?”
Public-domain text, read in full here on John Shaqi.
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