The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Furthermore, the mature siren is thoughtful for others. Girls are
self-asserting and aggressive. Life is so strong in them, and the
instinct which prompts them to try their strength with all comers and
to get the best of everything everywhere, is so irrepressible, that
they are often disagreeable because of that instinctive selfishness,
that craving, natural to the young, of taking all and giving back
nothing. But the mature siren knows better than this. She knows that
social success entirely depends on what each of us can throw into the
common fund of society; that the surest way to win consideration for
ourselves is to be considerate for others; that sympathy begets
liking, and self-suppression leads to exaltation; and that if we want
to gain love we must first show how well we can give it. Her tact
then, and her sympathy, her moral flexibility and quick comprehension
of character, her readiness to give herself to others, are some of the
reasons, among others, why the society of a cultivated agreeable woman
of a certain age is sought by those men to whom women are more than
mere mistresses or toys. Besides, she is a good conversationalist. She
has no pretensions to any special or deep learning--for, if pedantic,
she is spoilt as a siren at any age--but she knows a little about most
things; at all events, she knows enough to make her a pleasant
companion in a _tête-à-tête_ or at a dinner-table, and to enable her
to keep up the ball when thrown. And men like to talk to intelligent
women. They do not like to be taught nor corrected by them, but they
like that quick sympathetic intellect which follows them readily, and
that amount of knowledge which makes a comfortable cushion for their
own. And a mature siren who knows what she is about would never do
more than this, even if she could.
Though the mature siren rests her claims to admiration on more than
mere personal charms, and appeals to something beyond the senses, yet
she is personable and well preserved, and, in a favourable light,
looks nearly as young as ever. So the men say who knew her when she
was twenty; who loved her then, and have gone on loving her, with a
difference, despite the twenty years which lie between this and then.
Girls, indeed, despise her charms because she is no longer young; and
yet she may be even more beautiful than youth. She knows all the
little niceties of dress, and, without going into the vulgar trickery
of paint and dyes--which would make her hideous--is up to the best
arts of the toilet by which every point is made to tell and every
minor beauty is given its fullest value. For part of the art and
mystery of sirenhood is an accurate perception of times and
conditions, and a careful avoidance of that suicidal mistake of which
_la femme passée_ is so often guilty--namely, setting herself in
confessed rivalry with the young by trying to look like them, and
so losing the good of what she has retained, and betraying the ravages
of time by the contrast.
Public-domain text, read in full here on John Shaqi.
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