The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
All women do not harden by time, nor wither, nor yet corrupt. Some
merely ripen and mellow and get enriched by the passage of the years,
retaining the most delicate womanliness--we had almost said
girlishness into quite old age, blushing as swiftly under their grey
hairs, while shrinking from anything coarse or vulgar or impure as
sensitively, as when they were girls. _La femme à quarante ans_ is the
French term for the opening of the great gulf beyond which love cannot
pass; but human history disproves this date, and shows that the heart
can remain fresh and the person lovely long after the age fixed for
the final adieu to admiration--that the mature siren can be adored
by her own contemporaries when the rising generation regard her
as nothing better than a chimney-corner fixture. Mr. Trollope
recognized the claims of the mature siren in his _Orley Farm_ and
_Miss Mackenzie_; and no one can deny the intense naturalness of the
characters and the interest of the stories.
Another point which tells with the mature woman is, that she is not
jealous nor exacting. She knows the world, and takes what comes with
that philosophy which springs from knowledge. If she be of an enjoying
nature--and she cannot be a siren else--she accepts such good as
floats to the top, neither looking too deep into the cup nor
speculating on the time when she shall have drained it to the dregs.
Men feel safe with her. If they have entered on a tender friendship
with her, they know that there will be no scene, no tears, no
upbraidings, when an inexorable fate comes in to end their pleasant
little drama, with the inevitable wife as the scene-shifter. The
mature siren knows so well that fate and the wife must break in
between her and her friend, that she is resigned from the first to
what is foredoomed, and thus accepts her bitter portion, when it
comes, with dignity and in silence. Where younger women would fall
into hysterics and make a scene, perhaps go about the world taking
their revenge in slander, the middle-aged woman holds out a friendly
hand and takes the back seat gallantly, never showing by word nor look
that she has felt her deposition. She becomes the best friend of the
new household; and if any one is jealous, ten to one it is the
husband who is jealous of her love for his wife. Of course it may be
the wife herself, who cannot see what her husband can find to admire
so much in Mrs. A., and who pouts at his extraordinary predilection for
her, though of course she would scorn to be jealous--as, indeed, she
has no cause. For even a mature siren, however delightful she may be,
is not likely to come before a young wife in the heart of a young
husband. Though the French paint the love of a woman of forty as
pathetic, because slightly ridiculous and certainly hopeless, yet they
arrange their theory of social life so that a youth is generally
supposed to make his first love of a married woman many years his
elder, while a mature siren finds her last love in a youth.
Public-domain text, read in full here on John Shaqi.
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