The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
As an old woman the doll has not one charm. She has learned none of
that handiness, come to none of that grand maternal power of helping
others, which should accompany maturity and age and has still to be
thought for and protected, to the exclusion of the younger and
naturally more helpless, as when she was young herself, and beautiful
and fascinating, and men thought it a privilege to suffer for her
sake. Nine times out of ten she has lost her temper as well as her
complexion, and has become peevish and unreasonable. She gets fat and
rouges; but she will not consent to get old. She takes to false hair,
dyes, padded stays, arsenic or 'anti-fat,' and to artful contrivances
of every description; but alas! there is no 'dolly's hospital' for her
as there used to be for her battered old prototype in the nursery
lumber-closet; and, whether she likes it or not, she has to succumb to
the inevitable decree, and to become faded, worn out, unlovely, till
the final _coup de grâce_ is given and the poor doll is no more. Poor,
weak, frivolous doll! it requires some faith to believe
that she is of any good whatsoever in this overladen life of ours; but
doubtless she has her final uses, though it would puzzle a Sanhedrim
of wise men to discover them. Perhaps in the great readjustment of the
future she may have her place and her work assigned to her in some
inter-stellar Phalansterie; when the meaning of her helpless earthly
existence shall be made manifest and its absurd uselessness atoned for
by some kind of celestial 'charing.'
_CHARMING WOMEN._
There are certain women who are invariably spoken of as charming. We
never hear any other epithet applied to them. They are not said to be
pretty, nor amiable, nor clever, though they may be all three, but
simply charming; which we may take as a kind of verbal amalgam--the
concentration and concretion of all praise. The main feature about
these charming women is their intense feminality. There is no blurring
of the outlines here; no confusion of qualities admirable enough in
themselves but slightly out of place considering the sex; no Amazonian
virtues which leave one in doubt as to whether we have not before us
Achilles in petticoats rather than a true Pyrrha or a more tender
Deidamia.
Public-domain text, read in full here on John Shaqi.
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