The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Some women indeed, not only show their preference for men, but openly
confess it, and confess at the same time to a lofty contempt or
abhorrence for the society of women. These are generally women who
are, or have been, beauties; or who have literary and intellectual
pretensions; or who despise babies and contemn housekeeping, and
profess themselves unable to talk to other women because of their
narrowness and stupidity. But for the most part they are women who, by
their beauty or their position, have been used to receive extra
attention from men; and thus their preference is not flattery so much
as _exigence_. Women who have been in India, or wherever else they are
in the minority in society, are of this kind; and nothing is more
amazing to them when they first come home than the attentions which a
certain style of Englishwoman pays to men, instead of demanding and
receiving attentions from them.
There are also those sweet, humble, caressing women who flatter you
with every word and look, but whose flattery is nothing but a pretty
dress put on for show and taken off when the show is done with.
Anything serves for an occasion with these people. Why, the way in
which certain unmarried women will caress a child before you is an
implied flattery; and they know it. If only they would be careful to
carry these pretty ante-nuptial ways into the home where nothing is to
be gained by them but a humdrum husband's happiness! But too often the
woman whose whole attitude was one of flattering devotion before her
end was gained, gives up every shred of that which she had in such
profusion, when she has attained her object, and lets the home go bare
of that which was so beautiful and seductive in the ball-room and the
flirting corner.
Some men however, want more home flattery to keep them tolerably happy
and up to the mark than any woman with a soul to be saved by truth can
give. Poets and artists are of this kind--men who literally live on
praise, without which they droop and can do nothing. With them it is
absolutely necessary that the people with whom they are associated
should be of appreciative and sympathetic natures; but the burden
comes heavy when they want, as they generally do, so much more than
this. For, in truth, they want flattery in excess of sympathy; and if
they do not get it they hold themselves as the victims of an unkind
fate, and fill the world with the echo of their woes. This is
nine-tenths of the cause why great geniuses are so often unhappy in
married life. They demand more incessant flattery than can be kept up
by one woman, unless she has not only an exceptional power of love but
also an exceptional power of self-suppression. They think that by
virtue of their genius they are entitled to a Benjamin's mess of
devotion double that given to other men; and when they get only
Judah's share, they cry out that they are ill-used, and make the world
think them ill-used as well.
Public-domain text, read in full here on John Shaqi.
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