The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Standing far apart from this sweet and wholesome idealization is _la
femme passée_ of to-day--the reality as we meet with it at balls and
fêtes and afternoon At Homes, ever foremost in the mad chase after
pleasure, for which alone she seems to think she has been sent into
the world. Dressed in the extreme of youthful fashion; her thinning
hair dyed and crimped and fired till it is more like red-brown tow
than hair; her flaccid cheeks ruddled; her throat whitened; her bust
displayed with unflinching generosity--as if beauty is to be measured
by cubic inches; her lustreless eyes blackened round the lids, to give
the semblance of limpidity to the tarnished whites; perhaps the pupils
dilated by belladonna; perhaps a false and fatal brilliancy for the
moment given by opium, or by eau de cologne, of which she has a store
in her carriage, and drinks as she passes from ball to ball; no kindly
drapery of lace nor of gauze to conceal the breadth of her robust
maturity, to soften the dreadful shadows of her leanness--there she
stands, the wretched creature who will not consent to grow old, and
who still affects to be a fresh coquettish girl when she is nothing
but _la femme passée--la femme passée et ridicule_ into the bargain.
There is not a folly for which even the thoughtlessness of youth is
but a poor excuse into which she, in all the plenitude of her abundant
experience, does not plunge. Wife and mother as she may be, she flirts
and makes love as if an honourable issue were as open to her as to her
young daughter; or as if she did not know to what end flirting
and making love lead in all ages. If we watch the career of such a
woman, we see how, by slow but very sure degrees, she is obliged to
lower the standard of her adorers, and to take up at last with men of
inferior social position, who are content to buy her patronage by
their devotion. To the best men of her own class she can give nothing
that they value; so she barters with snobs, who go into the
transaction with their eyes open, and take the whole affair as a
matter of exchange, and _quid pro quo_ rigidly exacted. Or she does
really dazzle some very young and low-born man who is weak as well as
ambitious, and who thinks the fugitive regard of a middle-aged woman
of high rank something to be proud of and boasted about. That she is
as old as his own mother--at this moment selling tapes behind a
village counter, or gathering up the eggs in a country farm--tells
nothing against the association with him; and the woman who began her
career of flirtation with the son of a duke ends it with the son of a
shopkeeper, having between these two terms spanned all the several
degrees of degradation which lie between giving and buying. She cannot
help herself; for it is part of the insignia of her artificial youth
to have the reputation of a love-affair, or the pretence of one, even
if the reality be a mere delusion. When such a woman as this is one of
Public-domain text, read in full here on John Shaqi.
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