The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
In his first days this restlessness, this discontent, is simply
inconceivable. What more do they want than what they have? Why, that
field lying there in the sunshine, dotted about with dun-coloured cows
which glow like glorified Cuyps in the evening red, and backed by rock
and tree and tumbling cascade, would be enough to make him happy. He
could never weary of such a lovely bit of home scenery; and if to this
he adds a view of the sea, or the crags and purple shadows of a
mountain, he has wherewith to make him blessed for the remainder of
his life. So he thinks while the smoke of London and the sulphur of
the Metropolitan still cling about his throat, and the roar of the
streets has not quite died out of his ears.
The woods are full of flowers and the rarer kind of insects, and he is
never sated with the sea. There is the trout stream as clear as
crystal, where he is sure of a rise if he waits long enough; the
moors, where he may shoot if he can put up a bird to shoot at, are
handy; and there is no end to the picturesque bits just made for his
sketch-book. Whatever his tastes may make him--naturalist, sailor,
sportsman, artist--he has ample scope for their exercise; and ten or
eleven months' disuse gives him a greater zest now that his playtime
has come round again. At every turn he falls upon little scenes which
give him an odd pleasure, as if they belonged to another life--things
he has seen in old paintings, or read of in quaint books, long ago.
Here go by two countrywomen, whose red and purple dresses are touched
by the sun with startling effect, as they wind up the grey hillside
road; there clatters past on horseback a group of market-girls with
flapping straw hats, and carrying their baskets on their arms as if
they were a set of Gainsborough's models come back to life, who turn
their dark eyes and fresh comely faces to the London man with frank
curiosity as they canter on and smother him with dust. Now he passes
through the midst of a village fair, where youths are dancing in a
barn to the sound of a cracked fiddle, and where, standing under an
ivied porch, a pretty young woman unconsciously makes a picture as she
bends down to fill a little child's held-up pinafore with sweets and
cakes. The idyl here is so complete that the contemplation of pence
given for the accommodation of the barn, or the calculation of
shillings to be spent in beer afterwards, or the likelihood that the
little one had brought a halfpenny in its chubby fist for the good
things its small soul coveted, does not enter his mind.
Public-domain text, read in full here on John Shaqi.
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