The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Again, care and tact are required to rob sickness of its more painful
features, and to render it not too distressing to the home companions.
A real woman, with her instincts properly developed--among them the
instinct of admiration--knows how to render even invalidism beautiful;
and indeed, with her power of improving occasions, she is never more
charming than as an invalid or a convalescent. There is a certain
refined beauty about her more seductive than the robuster bloom of
health. Her whole being seems purified. The coarser elements of
humanity are obscured, passions are at rest, and all those fretful,
anxious strivings, which probably afflict her when in the full swing
of society, are put away as if they had never been. She is forced to
let life glide, and her own mind follows the course of the quieter
flow. She knows too how to make herself bewitching by the art which is
not artifice so much as the highest point to which her natural
excellences can be brought. If the radiance of health has gone, she
has the sweeter, subtler loveliness of fragility; if her diamonds are
laid aside, and all that glory of dress which does so much for women
is perforce abandoned, the long, loose folds of falling drapery, with
their antique grace, perhaps suit her better, and the fresh flowers on
her table may be more suggestive and delightful than artificial ones
in her hair.
Many a drifting husband has been brought back to his first enthusiasm
by the illness of a wife who knew how to turn evil things into good,
and to extract a charm even out of suffering. It is a turn of the
kaleidoscope; a recombination of the same elements but in a new
pattern and with fresh loveliness; whereas the androgynous woman, with
her business worries and her honest, if impolitic, self-surrender to
hideous flannel wraps and all the uglinesses of a sick room crudely
pronounced, would have added a terror to disease which probably would
have quenched his waning love for ever. For the androgynous woman
despises every approach to coquetry, as she despises all the other
insignia of feminine servitude. It is not part of her life's duties to
make herself pleasing to men; and they must take her as they find her.
Where the true woman contrives a beauty and creates a grace out of her
very misfortune, the androgynous holds to the doctrine of spades and
the value of the unvarnished truth. Where the one gives a little
thought to the most becoming colour of her ribbon or the best
arrangement of her draperies, the other pushes the tangled locks off
her face anyhow, and makes herself an amorphous bundle of brown and
lemon colour. Her sole wish is to get the bad time over. How it would
be best got over does not trouble her; and to beautify the inherently
unlovely is beyond her skill to compass. Hence her hours of sickness
go by in ugliness and idle fretting; while the true woman finds
graceful work to do that enlivens their monotony, and in the
Public-domain text, read in full here on John Shaqi.
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