The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
But, apart from that inner nature, that hidden part which so few
people even imagine exists in each other, the masks we wear in society
cover histories, sufferings, feelings, which would set the world
aflame if betrayed. No one who gets below the smooth crust of
conventional life can be ignorant of the fierce lava flood that
sometimes flows and rages underneath. In those quiet drawing-rooms
where everything looks the embodiment of harmony, of tranquil
understanding, and where the absence of mystery is the first thing
felt, there are dramas at the very time enacting of which only the
exceptionally observant catch the right cue. Ruin faces some whose
ship of good fortune seems sailing steadily on a halcyon sea; a
hideous secret stands like a spectre in the doorway of another. The
domestic happiness which these covenant between themselves to show in
the full sunshine to the world is no better than a Dead Sea apple
displayed for pride, for policy, and of which those who eat alone know
the extreme bitterness. The grand repute which makes men honour the
name to the very echo, is a sham, and tottering to its fall. Here the
confessing religionist hides by the fervour of his amens the
scepticism which he dares not show by the honesty of his negation;
there the respectable moralist denounces in his mask the iniquities
which he practises daily when he lays it aside. To the right the masks
of two loving friends greet each other with smiles and large
expressions of affection, then part, to push the friendly falsehood
aside, and to whisper confidentially to the crowd what scoundrelism
they have mutually embraced; to the left another couple of unreasoning
foes want only to see each other in unmasked simplicity to become fast
allies for life. The world and all it disguises play sad mischief with
human affections as well as with truth.
Everything serves for a mask. A man's public character makes one which
is as impenetrable in its disguise as any. The world takes one or two
salient points and subordinates every other characteristic to these.
It ignores all those subtle intricacies which modify thought and
action at every turn, producing apparent inconsistency--but only
apparent; and it boldly blocks out a mask of one or two dominant
lines as the representative of a nature protean because complex. Any
quality that makes itself seen from behind this mask which popular
opinion has created out of a man's public character is voted as
inconsistent, or, it may be, insincere; and the richer the nature the
less it is understood. So it is with us all in our degree:--a thought
which might lead us to gentler judgments on each other than it is the
fashion to cultivate, knowing as we do that we each wear a mask which
hides our real self from the world; and that if this real self is less
beautiful than our admirers say, it is infinitely less hideous than
our enemies would make it to appear.
_HEROES AT HOME._
Public-domain text, read in full here on John Shaqi.
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