The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Imagine a moonlight night--low water at midnight--when the tucking
begins. The boat cannot come up to the ordinary landing, which is only
a roughly-paved causeway dipping by a gradual descent into the sea; so
those who would share in the sport are fain to take the fisherman's
path along the cliff and drop into the boat off the rocks. These rocks
are never very safe. Even the men themselves, trained to them as they
are from boyhood, sometimes slip on their slanting, broken,
seaweed-covered surfaces, when, if they cannot swim and are not
helped, all is over for them in this life; and for strangers they are
difficult at the best of times. But on an obscurely lighted night, and
after heavy rain, they are doubly risky. The incoming wave lifts the
boat a few inches higher and nearer; and you must catch the exact
moment and make a spring before she drifts off again with the ebb. The
row across the little bay is beautiful. The grey cliffs look solemn
and majestic in the pale light of the moon; the shadows are deep and
unfathomable; everywhere you see black rocks standing out from the
steely sea, and little lines of breakers mark the place of the sunken
rocks. In the distance shine the magnificent Lizard Lights, and the
red and white revolving light of the terrible Wolf Rock flashes on the
horizon; the moon touches the sea with silver, and the waves as they
rise and fall seem like molten metal in the heavy sluggish rhythm of
their flow. Only round the foot of the cliffs and about the rocks they
break into spray that serves as high lights against the sombre grey
and black of the landscape. You pull across to the opposite point, and
then round into another smaller bay where the cliffs rise sheer, and
the seine net is cast. You come into a little fleet of fishing-boats
set round on the outside of a circle of corks, within which is the
master-boat, where all hands are assembled pulling at the net, to draw
it closer. It is a stirring sight. Some dozen or more stalwart fellows
are hauling on the lines with the sailors' cheery cry and the sailors'
exuberant goodwill. Every now and then the master's voice cries out
'Break! break my sons!' when they shorten hold and go over to the
other side of the boat, pulling themselves gradually aslant again,
till the same order of 'Break! break!' shows that their purchase is
too slack. At last the net is hauled up close enough, and then the fun
begins.
Public-domain text, read in full here on John Shaqi.
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