The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
When the eventful day arrives, every one feels that the eyes of
England are indeed turned hither-ward. If the great people are
languid, the meaner folks are jocund, and the stewards are as proud as
the proudest ædiles of old Rome. Their knots of coloured ribbon make
new men of them for the time, and justify the instinct which puts its
trust in regalia. They are sure to be on the ground from the earliest
hours in the morning; and though scoffers might perhaps question the
practical value of their zeal, no one can doubt its heartiness. If it
is fussy, it is genuine; and as every one is fussy alike, they cannot
complain of one another. A band has been lent by a neighbouring
regiment, and the men come radiant into the little town. It is
delightful to see the cordial condescension with which the trombone
and the cornet, the serpent and the drum shake hands with their
civilian friends; and how the fine fellows in scarlet accept drinks
quite fraternally from fustian and corderoy. For a full half-hour the
town is kept alive by the dazzle and resonance of these musical heroes
as they stand before the door of the 'public' which they have elected
to patronize, and lighten the pockets of the lieges by the successive
'go's' drained out of them. Then the church clock chimes the appointed
hour; the last flag is run up; the finishing touch is given to the
calico and the moss; the last award has been affixed; and the
policeman stationed at the gate to keep order among the little boys
has tightened his belt and drawn on his gloves ready for action. The
band marches through the town, drums beating and fifes playing, and
when the gates are opened as the clock is on the stroke of twelve,
they are all settled in their places with their music handy, ready to
salute the gentry with the overture from _Zampa_, taken in false time.
The imposing effect however, is rather marred by the friendly feelings
of the public; for when jolly farmers and small boys insist on sharing
the benches assigned to the red coats, the orchestra has necessarily a
patchwork kind of look that does not add to its dignity.
Public-domain text, read in full here on John Shaqi.
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