The Girls of Central High Aiding the Red Cross: Or, Amateur Theatricals for a Worthy CauseMorrison, Gertrude W.
General
The Girls of Central High Aiding the Red Cross: Or, Amateur Theatricals for a Worthy Cause
Morrison, Gertrude W.
High school students -- Juvenile fiction; Red Cross and Red Crescent -- Juvenile fiction
There was, therefore, much puzzlement of mind in several quarters that
night--and Laura Belding was partly at fault. She retained all her usual
placidity, and even on the morrow, when she went to school and found the
other girls so very despondent about the play, she refused to join in their
prophecies of ill.
This was the day of the last rehearsal. Mr. Mann had told them that he
wished the actors to rest between this dress rehearsal and the first public
performance of "The Rose Garden" on the following evening.
"I just know it will be a dreadful fizzle," wailed Jess, before Mr. Mann
called the rise of the curtain.
Everything was in readiness, however, for a perfect rehearsal. The curtain
was properly manipulated and the scene shifters, the light man, and all the
other helpers were at their stations, as well as the orchestra in the pit.
The girls had been excused from studies at one o'clock--of course, greatly
to Miss Carrington's disapproval. Since her "run-in" with the Lockwood
twins, as Bobby inelegantly called it, the teacher had been less exacting,
although quite as stern-looking as ever.
Dora and Dorothy, being cheerful souls, had recovered from their excitement
over the incident in history class, and were so much interested in their
parts in the play now that they forgot all about Gee Gee's ill treatment.
Indeed, when the curtain was rung up every girl in the piece was in a state
of excitement. Although they felt that the failure of the part of "the dark
lady of the roses" would utterly ruin some of the best lines and most
telling points in the play, they were all ready to act their own parts with
vigor and a real appreciation of what those parts meant.
Bobby, as the sailor lad, came on with a rolling gait that would have done
credit to any "garby" in the Navy. Jess, as the swashbuckling hero,
swaggered about the stage in a delightful burlesque of such a character, as
the author intended the part to be played.
Then the lights were lowered for the evening glow and "Adrian" turned to
point out the "dark lady"--that mysterious figure supposed to haunt the
rose garden and for weal or woe influence the hero's house and his affairs.
Jess recited her lines roundly, pointing the while to the garden along the
shadowy paths of which the dark lady of the roses was supposed to wander.
With incredible amazement--a shock that was more real than Jess could
possibly have expressed in any feigned surprise--she beheld the dark lady
as the book read, moving quietly across the garden, gracefully swaying as
she lightly trod the fictitious sod, stooping to pluck and then kissing the
rose, and finally disappearing into the wings with a flash of brilliant
eyes and the revelation of a charming countenance for the audience.
It was lucky that this signaled the curtain's fall on the first act, or
Jess Morse would have spoiled her own good work by the expression of her
amazement.
CHAPTER XXIV
MR. NEMO, OF NOWHERE
"Who is it?"
Public-domain text, read in full here on John Shaqi.
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