The Glaciers of the Alps: Being a narrative of excursions and ascents, an account of the origin and phenomena of glaciers and an exposition of the physical principles to which they are relatedTyndall, John
Science
The Glaciers of the Alps: Being a narrative of excursions and ascents, an account of the origin and phenomena of glaciers and an exposition of the physical principles to which they are related
Tyndall, John
Alps -- Description and travel; Glaciers -- Alps
In the application of her own principles, Nature often transcends the
human imagination; her acts are bolder than our predictions. It is thus
with the motion of glaciers; it was thus at the Montanvert on the day
now referred to. The floors, even where the windows appeared well
closed, were covered with a thin layer of fine snow; and some of the
mattresses in the bedrooms were coated to the depth of half an inch with
this fine powder. Given a chink through which the finest dust can pass,
dry snow appears competent to make its way through the same fissure. It
had also been beaten against the windows, and clung there like a ribbed
drapery. In one case an effect so singular was exhibited, that I doubted
my eyes when I first saw it. In front of a large pane of glass, and
quite detached from it, save at its upper edge, was a festooned curtain
formed entirely of minute ice-crystals. It appeared to be as fine as
muslin; the ease of its curves and the depth of its folds being such as
could not be excelled by the intentional arrangement of ordinary gauze.
The frost-figures on some of the window-panes were also of the most
extraordinary character: in some cases they extended over large spaces,
and presented the appearance which we often observe in London; but on
other panes they occurred in detached clusters, or in single flowers,
these grouping themselves together to form miniature bouquets of
inimitable beauty. I placed my warm hand against a pane which was
covered by the crystallization, and melted the frostwork which clung to
it. I then withdrew my hand and looked at the film of liquid through a
pocket-lens. The glass cooled by contact with the air, and after a time
the film commenced to move at one of its edges; atom closed with atom,
and the motion ran in living lines through the pellicle, until finally
the entire film presented the beauty and delicacy of an organism. The
connexion between such objects and what we are accustomed to call the
feelings may not be manifest, but it is nevertheless true that, besides
appealing to the pure intellect of man, these exquisite productions can
also gladden his heart and moisten his eyes.
[Sidenote: THE MER DE GLACE IN WINTER. 1859.]
Public-domain text, read in full here on John Shaqi.
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