The Glaciers of the Alps: Being a narrative of excursions and ascents, an account of the origin and phenomena of glaciers and an exposition of the physical principles to which they are relatedTyndall, John
Science
The Glaciers of the Alps: Being a narrative of excursions and ascents, an account of the origin and phenomena of glaciers and an exposition of the physical principles to which they are related
Tyndall, John
Alps -- Description and travel; Glaciers -- Alps
Bennen did not appear to entertain this superstition; and before
starting in the morning, I had stipulated for ten minutes' sleep on
reaching the summit, as part compensation for the loss of the night's
rest. My first act, after casting a glance over the glorious scene
beneath us, was to take advantage of this agreement; so I lay down and
had five minutes' sleep, from which I rose refreshed and brisk. The sun
at first beat down upon us with intense force, and I exposed my
thermometers; but thin veils of vapour soon drew themselves before the
sun, and denser mists spread over the valley of the Rhone, thus
destroying all possibility of concert between Ramsay and myself. I
turned therefore to my boiling-water apparatus, filled it with snow,
melted the first charge, put more in, and boiled it; ascertaining the
boiling point to be 187 deg. Fahrenheit. On a sheltered ledge, about two or
three yards south of the highest point, I placed a minimum-thermometer,
in the hope that it would enable us in future years to record the lowest
winter temperatures at the summit of the mountain.[A]
[Sidenote: SCENE FROM THE SUMMIT. 1858.]
It is difficult to convey any just impression of the scene from the
summit of the Finsteraarhorn: one might, it is true, arrange the visible
mountains in a list, stating their heights and distances, and leaving
the imagination to furnish them with peaks and pinnacles, to build the
precipices, polish the snow, rend the glaciers, and cap the highest
summits with appropriate clouds. But if imagination did its best in this
way, it would hardly exceed the reality, and would certainly omit many
details which contribute to the grandeur of the scene itself. The
various shapes of the mountains, some grand, some beautiful, bathed in
yellow sunshine, or lying black and riven under the frown of impervious
cumuli; the pure white peaks, cornices, bosses, and amphitheatres; the
blue ice rifts, the stratified snow-precipices, the glaciers issuing
from the hollows of the eternal hills, and stretching like frozen
serpents through the sinuous valleys; the lower cloud field--itself an
empire of vaporous hills--shining with dazzling whiteness, while here
and there grim summits, brown by nature, and black by contrast, pierce
through it like volcanic islands through a shining sea,--add to this the
consciousness of one's position which clings to one _unconsciously_,
that undercurrent of emotion which surrounds the question of one's
personal safety, at a height of more than 14,000 feet above the sea, and
which is increased by the weird strange sound of the wind surging with
the full deep boom of the distant sea against the precipice behind, or
rising to higher cadences as it forces itself through the crannies of
the weatherworn rocks,--all conspire to render the scene from the
Finsteraarhorn worthy of the monarch of the Bernese Alps.
[Sidenote: "HAVE NO FEAR." 1858.]
[Sidenote: DISCIPLINE. 1858.]
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