We were now within about a hundred yards of the ship's side and I could
see the silhouette of Molly's pretty little girlish head moving swiftly
hither and thither as if she were dancing. Snatches of song also came
from her lips--half-remembered lines and phrases, little animal-like
grunts of joy, weird hummings. . . .
"Ho! . . . Ho! . . . That fas-cin-a-ting,
Ju-ust so glide,
It's a tum-tum tum-tum tum-tum. . . .
Ju-ust so slide,
There's a rumor that the _Puma_ do-oes it now,
_Monkeys_ have taken to it . . . la-da-da-dah-dee
do it . . . !"
The deliciously cool sea air, the lapping of the water against our
boat, a swaying lantern on "The Pilgrim Father," the hushed stillness
of Nature, and the great gray shroud of mist creeping down on us from
the horizon, all imparted to the scene a vague dream-like quality.
Molly became a nymph, a will-o'-the-wisp, a sprite. Youth indeed! What
nonsense this business of rejuvenation was compared with the care-free
ecstasy of those who were young in soul! What a terrible mockery of the
real joy of life were we instituting in that awful hospital for the
aged at Windhuk!
As I watched her swiftly-moving and gyrating figure, I was filled
with pity for myself and others--for all that vast multitude of
humans who could never again recover the fine, free Spirit of Youth.
In our blindness we might seek palliatives against pain, and foolish
stimulants for jaded nerves and waning appetites and diminishing
pleasures, but our greatest endeavors would always be in vain. One by
one, we were creeping onwards and downwards. Here and there, a little
rise on Life's roadway; here and there, a whiff of fresh keen air
again; here and there a shaft of sunlight in a slowly darkening world;
but always that view of the straight pathway which leads down to a
"ripe old age."
The Song of Youth, with its rippling, flute-like accompaniment, grew
faster and faster until at last it suddenly stopped and I heard Molly
cry out in a loud (and almost breathless) voice:
"Oh! . . . You are mean! . . . How can I keep up with that?"
The concertina slackened its speed into a mere drawl and then changed
into a terrible discord of squeaks and grunts.
"I believe Molly's shaking the old chap!" whispered Croft.
We brought our boat to a standstill, anxious to remain an unseen
audience for a little while longer.
"Do stop playing!" cried Molly.
"I have!" answered Taffy.
"I don't mean _that_ playing--I mean being so silly! Do you know any
Irish jigs?"
Evidently he did, for the next moment the concertina broke out into a
wild, Celtic dance tune.
I saw Molly spin round with sheer delirious joy, extend her arms, throw
back her head, and proceed to give an unauthorized version of an Irish
dancer.
"Begorrah!" she cried; and "Och!" (apparently under the impression that
all primitive people emitted weird noises when executing a national
dance.)
Public-domain text, read in full here on John Shaqi.
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