"Don't you believe it, George," cried Gran'pa. "They'll be delighted to
have a bundle of mischief like Molly trotting around. It'll conjure up
visions of the homeland--and all the rest of it. . . . She'll have the
time of her life there. I've managed to obtain an introduction to the
Rev. Timothy Brady from a very old friend of his who knows the place
well. The station is at Baraka, on the summit of a hill and near the
north shore of the Gaboon river. There are plenty of lime and fruit
trees there, as well as the cocoanut and mango. Also, a church--a
library--a _school_ . . ." he said, looking at Molly.
"_Oh!_" she exclaimed. "I think it's horrid. . . ."
". . . Which, of course, she will not be obliged to attend," added
Gran'pa.
"Hooray!"
"You seem to have arranged everything very nicely," I observed.
"I always do, George. If I left it to you we should never get anything
done."
It was a baseless accusation, but I didn't bother to refute it by
reminding him of who found Alfred--the originator of all the trouble.
He would only have blustered.
"I suppose," I conceded at last, "that if missionaries and their
wives can live there, a few months won't hurt Molly. Remind me in the
morning, dear, to write a note to your school teacher, and you can take
it with you."
"Won't all the other girls be jealous!" she cried. "I told some of them
I should probably be going out to Africa in a few weeks time--and they
were mad! Kitty Vincent said I was just boasting--and I wanted to fight
her. . . ."
For nearly five minutes she continued in this vein.
"You seem to have taken everything for granted, my child," I remarked.
"Supposing I had refused? What then?"
"But, Daddy, I knew you wouldn't!"
Gran'pa arose and stretched himself.
"George," he said, "that child's an atavism--a throw-back! She
throws back to me. And I'm proud of it! Come and give your poor old
great-great-grand-dad a kiss, my dear."
Molly saluted him and told him he wasn't the _teeny-weeniest_ bit old.
"Perhaps you're right . . ." he mused.
Then he chuckled to himself and commenced whistling "Sally in Our
Alley." It was followed by "Sweet Alice Ben Bolt." Finally he burst
into parodied song:
"Oh, Molly! Oh! Molly Barnett . . .
Oh, Molly--where e'er did she _get_?
She's suddenly flown
To regions unknown,
Along with a man and his aeroplane-_ette_!"
"How's that for a modern version? Eh, George?"
"Very true to life!" I laughed.
"Ah!" he cried. "It's good to be so young that you can feel yourself
back with some of those old songs again. I heard of 'Dorothy Dean'
and her 'flying machine' at the Tivoli Music Hall--over fifty years
ago. . . . And yet . . . I wasn't so young even then. It's a queer
business, George!"
He couldn't contain himself that night. He played the piano, sang dead
and long-forgotten songs, danced a "solo" minuet to his own whistled
accompaniment, and even showed us how the old-time "saraband" went.
Public-domain text, read in full here on John Shaqi.
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