Americans -- Europe -- Fiction; Europe -- Fiction; Love stories; Marriage -- Fiction; Married people -- Fiction; Socialites -- Fiction
At the very threshold, his Ambassador’s greeting marked the difference:
it was followed, wherever they turned, by ejaculations of welcome from
the rulers of the world they moved in. Everybody rich enough or titled
enough, or clever enough or stupid enough, to have forced a way into the
social citadel, was there, waving and flag-flying from the battlements;
and to all of them Lord Altringham had become a marked figure. During
their slow progress through the dense mass of important people who made
the approach to the pictures so well worth fighting for, he never left
Susy’s side, or failed to make her feel herself a part of his triumphal
advance. She heard her name mentioned: “Lansing--a Mrs. Lansing--an
American... Susy Lansing? Yes, of course.... You remember her? At
Newport, At St. Moritz? Exactly.... Divorced already? They say so...
Susy darling! I’d no idea you were here... and Lord Altringham! You’ve
forgotten me, I know, Lord Altringham.... Yes, last year, in Cairo... or
at Newport... or in Scotland ... Susy, dearest, when will you bring Lord
Altringham to dine? Any night that you and he are free I’ll arrange to
be....”
“You and he”: they were “you and he” already!
“Ah, there’s one of them--of my great-grandmothers,” Strefford
explained, giving a last push that drew him and Susy to the front rank,
before a tall isolated portrait which, by sheer majesty of presentment,
sat in its great carved golden frame as on a throne above the other
pictures.
Susy read on the scroll beneath it: “The Hon’ble Diana Lefanu, fifteenth
Countess of Altringham”--and heard Strefford say: “Do you remember? It
hangs where you noticed the empty space above the mantel-piece, in the
Vandyke room. They say Reynolds stipulated that it should be put with
the Vandykes.”
She had never before heard him speak of his possessions, whether
ancestral or merely material, in just that full and satisfied tone of
voice: the rich man’s voice. She saw that he was already feeling the
influence of his surroundings, that he was glad the portrait of a
Countess of Altringham should occupy the central place in the principal
room of the exhibition, that the crowd about it should be denser there
than before any of the other pictures, and that he should be standing
there with Susy, letting her feel, and letting all the people about
them guess, that the day she chose she could wear the same name as his
pictured ancestress.
Public-domain text, read in full here on John Shaqi.
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