Tommy pointed out the companionable qualities of Etta Concannon. But she
would not hear of Etta. The sight of Tommy’s wan face had decided her,
and she was a woman who was accustomed to carry out her decisions. She
was somewhat dictatorial, somewhat hectoring. She had taken it into her
head to play fairy godmother to Tommy Burgrave, and she resented his
repudiation of her godmotherdom. Besides, there were purely selfish
reasons for choosing Tommy rather than Etta, which she acknowledged with
inward candour. Tommy was a man who would fetch and carry and keep the
chauffeur up to the mark, and inspire gendarmes and custom-house
officials and maitres-d’hotel with respect, and, although Clementina
feared neither man nor devil, she was aware of the value of a suit of
clothes filled with a male entity as a travelling adjunct to a lone
woman. With Etta the case would be different. Etta would fetch her
motor-veil and carry her gloves with the most adoringly submissive grace
in the world; but all the real fetching and carrying for the two of them
would have to be done by Clementina herself. Therein lay the difference
between Clementina and the type generally known as the emancipated
woman. She had no exaggerated notions of the equality of the sexes,
which in feminine logic generally means the high superiority of women.
Circumstance had emancipated her from dependence upon the other sex, but
on the circumstance and the emancipation she cast not too favourable an
eye. She had a crystal clear idea of the substantial usefulness of men
in this rough and not always ready cosmic scheme. Therefore, for
purposes of utility, she wanted Tommy. In her usual blunt manner she
told him so.
“You run in here at all hours of the day and night, and it’s Clementina
this and Clementina that until I can’t call my soul my own—and now, the
first time I ask you to do me a service you fall back on your silly
little prejudices and vanity and pride, and say you can’t do it.”
“I’m very sorry,” said Tommy, humbly.
“I tell you what it is,” said Clementina, with a curiously vicious
feminine stroke, “you’d come if I was a smart-looking woman with fine
clothes who could be a credit to you—but you won’t face going about
with an animated rag-and-bone shop like me.”
Tommy flushed as pink as only a fair youth can flush; he sprang forward
and seized her wrists and, unwittingly, hurt her in his strong and
indignant grip.
“What you’re saying is abominable and you ought to be ashamed of
yourself. If I thought anything like that I’d be the most infernal cur
that ever trod the earth. I’d like to shake you for daring to say such
things about me.”
He flung away her hands and stalked off to the other end of the studio,
leaving her with tingling wrists and unfindable retort.
“If you really think I can be of service to you,” he said, in a
dignified way, having completed the return journey, “I shall be most
happy to come.”
“I don’t want you to make a martyr of yourself,” she snapped.
Public-domain text, read in full here on John Shaqi.
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