which the Syndicat d’Initiative prides itself—the wide, well-kept
thoroughfare or _place_ with its inevitable greenery, its flourishing
cafés thick with decorous folk beneath the awnings, its proud and
prosperous shops, its Municipal Theatre, Bourse, Hôtel de Ville, its
generously spouting fountain, its statue of the great son—poet, artist,
soldier—of the locality; its crowd of well-fed saunterers—fat and
greasy citizens, the supercilious aristocrat and the wolf-eyed anarchist
might perhaps join together in calling them—but still God’s very worthy
creatures; its general expression, not of the joy of life, for a
provincial town is, as a whole, governed by conditions which affect only
a part of a great capital, but of the undeniable usefulness and
pleasurableness of human existence. Then, after dinner, out again to the
cool terrace of a café—in provincial France no one lounges over coffee
and tobacco in an hotel—and lastly to bed, with wind and sun in their
eyes and in their hearts the peace of a beautiful land.
They had planned the first part of their route—Boulogne, Abbeville,
Beauvais, Sens, Tonnerre, Dijon, through the Côté d’Or and down the
valley of the Rhone to Avignon. After that the roads of France were open
to them to go whithersoever they willed. The ground, the experience, the
freedom, all were new to them. To Clementina France had practically been
synonymous with Paris—not Paris of the Grands Boulevards, Montmartre,
and expensive restaurants, but Paris of the Left Bank, of the studios,
of struggle and toil—a place not of gaiety but grimness. To Tommy it
meant Paris, too—Paris of the young artist-tourist, a museum of great
pictures—the Louvre, the Luxembourg, the Pantheon immortalised by Puvis
de Chavannes; also Dieppe, Dinard, and such-like dependencies of
Britain. But of the true France such as they beheld it now they knew
nothing, and they beheld it with the wide-open eyes of children.
After a few days the weariness fell from Clementina’s shoulders; new
life sped through her veins. Her hard lips caught the long-forgotten
trick of a smile. She almost lost the art of acid speech. She grew young
again.
Tommy held the money-bag.
“I’m not going to look like a maiden aunt treating a small boy to buns
at a confectioner’s,” she had declared. “I’m going to be a real lady for
once and see what it’s like.”
Public-domain text, read in full here on John Shaqi.
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