But it was only an hour. The grey dawn crept into the sleepless room,
and the glamour of the moonlight had gone. And there was a desperate
struggle in the woman’s soul. The boy’s words rang in her ears. He was
fond of her, devoted to her, would give up his life to her. He spoke
sincerely. Why should she not take the words at a little above their
face-value? No strong-natured woman of five-and-thirty, with
Clementina’s fame and wealth and full great sympathy need fear rebuff
from a generous lad who professes himself to be her devoted, devoted,
devoted slave. All she has to do is to put up the banns. Whether
ultimate bliss will be achieved is another matter. But to marry him out
of hand is as easy as lying. It did not need Clementina’s acute
intelligence for her to be fully aware of this. And another temptation
crept over her pillow to her ear, peculiarly insidious. The boy would be
free to pursue his beloved art without sordid cares. There would be no
struggle and starvation and fringed hems to his trousers. A woman who
really loves a man would sooner her heart were frayed than his
trouser-hems.
She rose and threw wide the shutters. The little Place Miremont looked
ghostly in the white light, and the classic Bibliothèque, with its
round-headed windows, more than ever a calm mausoleum of human wisdom.
It is strange how coldly suggestive of death is the birth of day.
Clementina crept back to bed and, tired out, fell asleep. The waiter
bringing in the breakfast tray awakened her. On the _New York Herald_
which Tommy had gone to the railway station to procure, lay a dewy
cluster of red and yellow roses; on a plate a pile of letters, the top
one addressed in Etta Concannon’s great girlish scrawl.
Why in the world should a bunch of parrot-tulips have flared before her
eyes? They did. They had marked the beginning of it. The red and yellow
roses marked the end.
“_Attendez un moment_,” she said to the waiter, while she tore open the
envelope and glanced through Etta’s unimportant letter. “Bring me a
telegraph form.”
He produced one from his pocket. If you ask a waiter in a good French
provincial hotel for anything—a copy of Buckle’s History of
Civilisation or a boot-jack—he will produce it from his pocket. He also
handed her a pencil.
This she bit musingly for a few seconds. Then she scribbled hastily on
the telegraph form:
“_Join me at once. Book straight through to Lyons. Wire train. Will meet
you at station. Promise you_”—Her lips twisted into a wry smile as the
word she sought entered her head—“_heavenly time. My guest of course.
Clementina. Hôtel du Nord, Vienne._”
“By the way, _garçon_,” she said, handing him the telegram, “why is this
called the Hôtel du Nord?”
“_Parceque, Madame, c’est ici, à Vienne, que commence le Midi_,” replied
the waiter.
He bowed himself out. A courtier of Versailles at the levée of the
Pompadour could not have made his speech and exit with better grace.
Public-domain text, read in full here on John Shaqi.
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