The Glory of the Conquered: The Story of a Great LoveGlaspell, Susan
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The Glory of the Conquered: The Story of a Great Love
Glaspell, Susan
Artists -- Fiction; Chicago (Ill.) -- Fiction; Love stories; Married people -- Fiction; Scientists -- Fiction
Older--greater--a more steady flame--a more conscious power--grief
transmuted to understanding--despair risen to resolution--she had gone a
long way. He looked at her in silence--reading, understanding. It was all
written there--the story of deep thinking and deeper loving, of battles
and victories, and other battles yet to fight, the poise which attends
the victor--yes, she had gone a long way. And as she spoke his name, and
smiled a little, and then could not repress the tears which his presence,
all that it meant, brought, he saw, shining through her tears, that light
of love's own days.
She turned and walked to the other side of the room, and he knew that she
was taking him to the picture.
She watched his face as he took it in, and she knew then that she had
done her work.
For a long time he said nothing, and when at last he turned to her, eyes
dim, voice husky, it was only to say: "I can say--nothing. There are--no
words."
He turned back to the picture, she standing silent beside him, reading in
his face that with each moment he was coming into more perfect
understanding.
For she had painted Karl's face as it was just before he went into the
silence. She had caught the look which illumined his face that day on his
death bed when she told him what she had done. She had painted Karl as he
was in that moment of perfect understanding--the joy which was uplift,
the knowledge which was glory. She had perpetuated in her picture the
things which Karl took with him from life. It was Karl in the supreme
moment of his life--the moment of revelation, transfiguration, the moment
which lighted all the years.
It was triumph which she had perpetuated in the picture. She was saying
to the world--He did not achieve what he set out to achieve, but can you
say he failed when he left the world with a soul like this?
He saw that it was what she had done with light which made the picture,
from the standpoint of her art, supreme. The critics said that no one had
ever done just that thing with light before--painted light in just that
spirit of loving and understanding it; less light, indeed, than light's
significance. They said that no one before had painted the kind of light
which could make a blind man see. For he was blind--the picture told
that, but it seemed no one had ever had light quite as understandingly as
he had it there.
"You feel it, doctor?" she asked at last, timidly. "You see it all?"
He nodded. It seemed so far beyond any word of his.
Public-domain text, read in full here on John Shaqi.
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