The air was too bad to permit of our remaining long so deep in the bowels of the earth; and the falling ceilings were a source of much danger. We therefore presently made our way through the halls and corridors back to the upper world, scrambling and crashing over the _débris_, and squeezing ourselves through the rabbit-hole by which we had entered. As we passed out of his hot, dark tomb into the brilliant sunshine and the bracing north wind, the gloomy wreck of the place was brought before the imagination with renewed force. The scattered bones, the broken statues, the dead flowers, grouped themselves in the mind into a picture of utter decay. In some of the tombs which have been opened the freshness of the objects has caused one to exclaim at the inaction of the years; but here, where vivid and well-preserved wall-paintings looked down on a jumbled collection of smashed fragments of wood and bones, one felt how hardly the Powers deal with the dead. How far away seemed the great fight between Amon and Aton; how futile the task which Horemheb accomplished so gloriously! It was all over and forgotten, and one asked oneself what it mattered whether the way was difficult or the battle slow to win. In the fourth year of the reign of Horemheb a certain harper named Neferhotep partly composed a song which was peculiarly appropriate to the tune which ran in one’s head at the opening of the tomb of this Pharaoh whom the harper served: “(1) Behold the dwelling of the dead. Their walls fall down; their place is no more: they are as though they had never existed. (2) That which hath come into being must pass away again. The young man and the maidens go to their places; the sun riseth at dawn, and setteth again in the hills of the west. Men beget and women conceive. The children, too, go to the places which are appointed for them. O, then, be happy! Come, scents and perfumes are set before thee: _mahu_-flowers and lilies for the arms and neck of thy beloved. Come, songs and music are before thee. Set behind thee all cares; think only upon gladness, until that day cometh whereon thou shalt go down to the land which loveth silence.” Horemheb must often have heard this song sung in his palace at Thebes by its composer; but did he think, one wonders, that it would be the walls of his own tomb which would fall down, and his own bones which would be almost as though they had never existed? CHAPTER X LOWER NUBIA AND THE GREAT RESERVOIR