The glory of the PharaohsWeigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
History
The glory of the Pharaohs
Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
Egypt -- Antiquities
The whole temple is built for the one hour of sunrise; and therefore the
next morning we went ashore once more before the sun had risen. Sitting
in front of the temple, facing the colossi, we watched the light
increase upon the stone, the colour of which grew ever more warm and
golden. It was as though the sandstone were illuminated from within,
like thin alabaster. The serene faces of the great statues became as
nearly godlike as any work of man can become. Their calm unmoved
greeting to the sun, so different from that of us men, who must needs
shade our eyes, being unable to look him in the face, had something
sublime about it not convincingly to be explained away, and not to be
diminished by the obvious fact that they were but masses of natural
rock. I am not convinced that the mountains are dead, nor can I tell
what gods of the western desert may not look out from this sacred hill
through the eyes which the old men of Egypt have here made for them.
Although I have seen this temple so many times, have watched the broken
fragments of these colossi pinned back into position with iron bars, and
have reckoned the tons of cement which have been shot into the cavities
and cracks in their interior, yet still the spell of their monstrous
dignity remains, they still seem to look to the eastern horizon with all
the expectancy of living nature, and still speak with the voice of the
winds of the dawn.
As the sun rose high and the first mystery of the daylight passed into a
less suggestive glare, we entered the inner halls of the temple, which
are excavated in the rock, and wandered from room to room. The light
here was strong enough at this time of day to illuminate the whole
interior, so that even the corners were not in darkness. Some of the
reliefs are extremely well executed, and there is one scene in
particular, upon the left wall, representing the Pharaoh in the act of
slaying a foreign soldier in battle, which is one of the great
masterpieces of Egyptian art, though I do not find it quoted in any of
the textbooks. At length we passed out into the sunlight once more,
and, after lingering a short while longer, the internal call for
breakfast induced us to return to the steamer. We weighed anchor at
once, and in a couple of hours or so reached the village of Toshkeh, on
our return journey down stream.
Public-domain text, read in full here on John Shaqi.
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