The glory of the PharaohsWeigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
History
The glory of the Pharaohs
Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
Egypt -- Antiquities
We then swam onwards, and, turning on our backs, floated silently
through the great doorway, the spread-winged vultures carved above us
and the Pharaoh offering to the gods on either side. Thus we passed into
the forecourt of the Temple of Isis, and were completely shut in by the
towering buildings. The water here was so silent and unruffled, the
reflections of the columns and walls were so clear, that the place
seemed to have been hidden to the world for centuries; and we had the
feeling that we were exploring for the first time the mysterious
sanctuaries of unknown gods. We seemed to be intruders into some secret
palace of the Nile, and we knew not what fairy adventure was before us.
Here was the silent green stretch of the water, in which our two heads
moved about like floating gourds; here were Hathor, and Isis, and many
another goddess, furtively peeping at us from just below the surface, so
that to satisfy ourselves we must needs sink under the flood and peer at
them thus; here were dark doorways leading to holy places wherein our
voices echoed as though someone were calling us; and here, too, were
graceful columns whose elaborate capitals shimmered in the ripples which
we made.
On our left was the temple known as the Birth House, where the
celebrations took place in commemoration of the birth of Horus amidst
the reeds and swamps of the Delta. Into this temple we floated, turned
upon our backs once more, passing from hall to hall. The seven Hathors
beat their tambourines to us in the sculptures upon the walls as though
to encourage us to enter the mystery of the sanctuary; and Taurt, the
hippopotamus goddess, imprisoned for ever in stone, looked down upon us
with envy as we moved so contentedly in her own element. The sanctuary
was almost dark, and there was a cavernous silence in it that was not a
little aweing. In the dim light we did obeisance to the figure of the
hawk Horus, who stood in a clump of sculptured reeds, just above the
surface of the flood; and, diving once more, we laid sudden hands on
that fair Isis who sat nursing her baby so tightly there under the
waters. The light of the sunset glowed in our eyes as we swam out of
these dark halls and turned again into the forecourt of Isis, making our
way towards the main temple. The drab-coloured sandstone of the ruins
became golden against the deep tone of the sky; and the water spreading
around us was made more green and mysterious by the contrast.
Public-domain text, read in full here on John Shaqi.
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