The glory of the PharaohsWeigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
History
The glory of the Pharaohs
Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
Egypt -- Antiquities
There, in those enchanted regions, men are heroes and women are
beautiful, and all that the heart desires is to be found. There, and
perhaps only there, grow “the flower of peace, and the rose that cannot
wither.” Beyond that gateway stand the gorgeous palaces wherein sit the
queens of the young world, of whose beauty the fairest women of our own
age have but a semblance. There they rest upon their marble thrones,
their loveliness causing the brain to reel and the heart to faint; and
into their presence the initiate may penetrate, unchecked and
unannounced. Here in this garden a man may at will become one with burly
Antony; and with pleasant arrogance may mount the dais’ steps to
Cleopatra’s side, and put his arm about her bewildering shoulders. He
may merge himself into splendid Lucullus, and watch with mild amusement
the amazement of his self-invited guests, Cicero and Pompey, served at a
moment’s notice with a fifty-thousand drachmæ dinner in the sumptuous
apartment called “Apollo.”
In the twinkling of an eye, for so mighty is the magic of the garden, he
may turn from Lucullus to become that Roman’s enemy, the swift-footed
royal athlete Mithradates, wooing the reluctant Monime in the palace of
Miletus on the banks of Meander. Now he is young Cimon, intoxicated by
the beauty of Asteria of Salamis; and now he is Demetrius in the happy
toils of the fair Lamia. Mounting the magic carpet he may leap over the
seas and deserts to Babylon, where, with a gesture, he may become one
with Sargon, and may parade the hanging gardens in the light of the
tremendous moon. Away he may fly once more to the valley of the Nile,
whence, in the guise of King Unis, he may ascend the “ladder of the
sun,” burst open the “double gates of the sky,” and play with “the
imperishable stars.”
There is no end to the entertainment which he may enjoy in the Garden of
the Past; and, coming back, happy and breathless, to his home in the
Present, is it to be supposed that he, who is bursting with what he has
seen and done, will desire to record in heavy and stately language the
adventures he has experienced in that irresponsible playground? He who
writes the history of the Past in pompous phrases has never left the
Present.
Public-domain text, read in full here on John Shaqi.
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