The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
The great lyric period of the seventh and sixth centuries belongs
politically to an era of aristocracies and tyrannies. The aristocracies
here were composed, not of farmers, as at Athens, nor of
warrior-knights, as at Sparta, but of merchant princes who have always
proved lavish patrons of a certain kind of art and literature. Most of
the great poets seem to have been members of the aristocracy.
Sappho is a remarkable figure in the history of literature, the only
woman who has ever reached the front rank among poets. We have of her
only a few score lines of broken fragments, only two poems that exceed
ten lines, and not one of thirty. Yet even from these ruined remnants we
can feel across the ages the vital throb of her passion, speaking in
music of altogether unequalled beauty. It is impossible to describe the
emotion which scholars and poets of all ages have felt when they first
stumbled upon
“Immortal Aphrodite of the starry throne,
Daughter of God, weaver of guile, I beseech thee
Neither to disgust nor to distress subdue,
Lady, my heart....”
Or the broken marriage chorus:
MAIDENS
“Like the sweet apple blushing on the topmost twig,
Top of the topmost, which the gatherers forgot.
Forgot? Nay, but they could not reach to it.
YOUTHS
“Like the hyacinth on the hills which the shepherd swains
Tread underfoot, and down to the earth the bright flower....”
But translation inevitably spoils the fragrance, as even Rossetti and
Swinburne have found. It is of Sappho that Swinburne writes in her own
metre:
“Ah the singing, ah the delight, the passion!
All the Loves wept, listening; sick with anguish
Stood the crowned nine Muses about Apollo;
Fear was upon them,
While the tenth sang wonderful things they knew not.
Ah the tenth, the Lesbian! the nine were silent,
None endured the sound of her song for weeping;
Laurel by laurel
Faded all their crowns; but about her forehead,
Round her woven tresses and ashen temples,
White as dead snow, paler than grass in summer,
Ravaged with kisses,
Shone a light of fire as a crown for ever.
Yea, almost the implacable Aphrodite
Paused, and almost wept; such a song was that song....”
Public-domain text, read in full here on John Shaqi.
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