The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
“On it the far-famed Cripple fashioned a dance like that which
Dædalus of old wrought in broad Cnossos for Ariadne of the lovely
tresses. Therein youths and maidens costly to woo were dancing,
holding one another by the wrist. Some of the maids had fine linen
veils, and some had well-woven tunics with faint gloss of oil. Yea,
they had fair garlands on their heads, and the men had golden
swords hanging from silver baldrics. Sometimes they would trip it
lightly on tiptoes, as when a potter sits and tries the wheel that
fits between his hands to see whether it will run. But sometimes
they advanced in lines towards one another, and a great company
stood round the lovely dance delighted, and among them a holy bard
sang to his lyre, and among the dancers two tumblers led the
measure, twirling in the midst.
“And on it he put the great might of the River Ocean along the edge
of the rim of the closely wrought shield.
“So then when he had fashioned a great and mighty shield he
fashioned also a hauberk brighter than the beam of fire, and he
fashioned him a strong helmet, fitting the temples, richly dight,
and on it put a crest, and he made him greaves of pliant tin.”
I trust that the reader may be able to catch some glimpse of the picture
even through the bald prose of translation. We are now in Europe for
certain. It might be in Dorsetshire or Bavaria or Auvergne or Tuscany
that these women come to their doors to watch the weddings go past,
these honest ploughmen drain their beakers, and these weary harvesters
look forward to the harvest supper. To this day you may see the peasants
of Greece dancing in rings and lines, with agile acrobats to lead them,
just as they danced on the shield of Achilles. History goes on its
pompous way, leaving the peasant unaltered and the ways of country life
unchanged.
KINGS AND GODS
The poet even here, not wholly oblivious of the courtly circles to whom
he was singing, has, indeed, brought in a “king.” But it is a poor sort
of Basileus who stands there among the clods rejoicing in his heart. He
and his ancestral sceptre cut rather a foolish figure among
“The reapers, reaping early
In among the bearded barley.”
Public-domain text, read in full here on John Shaqi.
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